It’s almost cliché at this point to label anything recorded last year as a “Quarantine Record,” but from long gestating passion projects to spur of the moment whims, musicians across
Nashville-based, Chicago-born Lauren Anderson picks up the Blues Rock torch from Janis Joplin and keeps that fame burning bright on Love on the Rocks, her stellar, nine-song sophomore record. The
British-based folk band The Wandering Hearts have seen a lot of changes since their 2017 debut. The album caught the attention of critics and eventual fans across the globe, including
John Prine may have passed away last year, and Guy Clark four years before him, but their influences live on and nowhere is that more apparent than on Carolina Child,
Tribute albums can be hit or miss, often coming off like uninspired cash grabs by a band looking to bide its time until the next creative jag comes along and
In any other family Miles Copeland would be an obvious standout, the most successful member of the family. But his younger brother Stewart is the longtime drummer of The Police.
After 20 years playing banjo, singing and writing songs for Steep Canyon Rangers, Graham Sharp is finally going it alone, at least for one album. Truer Picture, Sharp’s solo debut,
It’s been close to a decade since Jakob Dylan’s band The Wallflowers last put out an album and it seems they’ve had plenty to say during that time. Exit Wounds,
Athens-based Drew Beskin went into Problematic For The People, his third solo effort, assuming this would be his last. Thankfully that personal pledge to call it quits was short lived,
It seems rather appropriate that the Tulsa-based Pilgrim opted to record their latest – No Offense, Nevermind, Sorry – at Leon Russell’s former Paradise Studios. Much like Russell’s impressive mix of
