Athens-based Drew Beskin went into Problematic For The People, his third solo effort, assuming this would be his last. Thankfully that personal pledge to call it quits was short lived,
It seems rather appropriate that the Tulsa-based Pilgrim opted to record their latest – No Offense, Nevermind, Sorry – at Leon Russell’s former Paradise Studios. Much like Russell’s impressive mix of
Gabe Dixon has played the sideman for decades, recording and touring with everyone from Paul McCartney and Alison Krauss to the Tedeschi Trucks Band, but his latest solo LP shows
If the Cranberries late singer Dolores O’Riordan fronted a folk punk band, there’s a very good chance they would sound a lot like Emily Davis And The Murder Police. On
If the pandemic had not happened, chances are The Digital Age Of Rome would have sounded entirely different. After spending the past few years touring behind 2018’s Dude, The Obscure, T. Hardy
K.C. Jones may have gotten her start playing in Cajun bands like Feufollet and T’Monde, but her solo debut Queen of the In Between is an entirely different vibe, blending
Jeremy James Meyer has managed to channel the ghosts of Jerry Jeff Walker, John Prine and Guy Clark on his latest, Alive & OK, while also coming off as much
Friends in High Places is almost assuredly the only Americana record coming out this year that takes just as much from the French indie-minimalist sound as it does from folk
It’s been 11 years since Crowded House last put out a record, and with band founder/front man Neil Finn joining Fleetwood Mac in 2018, it was a pretty safe assumption
Trapper Schoepp was recording May Day in the middle of two simultaneous life-altering crises. At a recording studio outside Milwaukee, during the height of the COVID pandemic, Schoepp recalls stepping
