Review: Los Lobos @ The Aladdin Theatre
When you hear the word “acoustic” associated with a concert, it conjures up visions of acoustic guitars and bar stools on stage. The drummer becomes a percussionist; everyone sits on the stools and plays their music without all the decibels and hot dogging. It’s more about the music than the show.
MTV made sure we were all familiar with the concept with their “Unplugged” series. Everyone from Sting to Nirvana to 10,000 Maniacs has played that venue. When your favorite band adds and acoustic set to their show, the tunes are approached differently by the musicians. Sometimes the results are wonderful, ala Springsteen’s Born To Run on the Chimes Of Freedom EP. Other times, not so much, like Motley Crue trying to pull off Girls, Girls, Girls with Tommy Lee on congas. Just can’t get behind that one. Truth in advertising laws aside, inserting the word Semi- between the first two words appearing on the ticket would be closer to what we were treated to at the Aladdin Theater on Friday night.
Los Lobos put a slightly different spin on the acoustic label tonight. They started on time, all five members fanning out at the front of the stage with, true to their word, acoustic instruments. Like a mariachi on steroids, they strummed and harmonized their way through a first set that consisted of mostly Spanish vocals and joyous interplay. When Louie Perez stepped to the mike to sing Saint Behind The Glass four songs in, they were already sweating. From the front row, they looked like they were having the time of their lives. Even Cesar Rosas, the epitome of cool behind his ever present dark shades, was grinning ear to ear.
READ ON for more of A.J.’s review of Los Lobos @ The Aladdin…
