Synthpop pioneers Erasure are back with Tomorrow’s World, the band’s first album in more than four years. The new album is out Fall 2011 and is produced by one of
Steve Earle is all over the place lately as actor, writer, activist, and maintaining his first love, music. The tunes get their proper due on this fantastic new release, I’ll Never Get Out Of This World Alive. The title is taken from Hank Williams final single; Earle has a strong affinity for Williams (titling his first novel the same thing) and as someone who never shy’s away from his idols (see the album Townes) there is history seeping from these tracks, a lot of personality too.
Canadian singer/songwriter Chad VanGaalen recently released his latest album, Diaper Island (Sub Pop), after recording for the first time at a home studio. The results is an idiosyncratic, eclectic group of songs that represent VanGaalen’s total control of the album. VanGaalen plays all of the instruments on Diaper Island and has also been working to create artwork and animations associated with his songs. Glide spoke with VanGaalen about the inspiration for his album, his songwriting, and his upcoming international tour.
After years in the Big Apple, singer-songwriter Amy Speace headed back to Nashville and it appears that the change in scenery certainly hasn’t hurt her songwriting by the dozen offerings on Land Like a Bird.
Whereas in a two or three day festival (like Newport Folk, Treasure Island or Outside Lands) one may feel more an observer, when a festival enters into the fourth day of music, the attendee becomes more than a participant, but rather part of the fabric of suspended reality. Such was the sentiment surrounding Monday at Sasquatch.
