August 22, 2012

Theory of a Deadman: Hard Rock Live, Biloxi, MS, 07/21/12

It is a well-known fact that Tyler Connolly was not a happy camper when he wrote the band’s latest record The Truth Is, but what happened in the process was that a popish, devil having fun, part rock/part rockabilly hornet’s nest of a symposium was created instead of something more sinister. And it worked. The singles have been hits, the shows have been sell-outs, and Connolly just may finally be a happy man once again.

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Ariel Pink

Ariel Pink’s Haunted Graffiti values style over substance, but that isn’t a bad thing. The band’s new project, Mature Themes, contains many of elements found on its successful 2010 release Before Today—creative collages of 1970’s pop themes suffused with vocal and keyboard-driven atmosphere.

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The Heavy: The Glorious Dead

The cinematic, vintage appeal of The Glorious Dead is what makes The Heavy's latest offering worth digging into, but it's also a record with too many missed opportunities to make it a great offering.

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