Their first release in over 14 years, Forever, I’ve Been Being Born, finds Jesse Sykes & The Sweet Hereafter dealing with life, death, change, and renewal as the Seattle-based outfit’s fragile
For this year’s Record Store Day Black Friday lineup, Rhino puts The Doors front and center with Live in Copenhagen, a previously unreleased 1968 performance finally pulled from the vault.
For Record Store Day Black Friday 2025, Matchbox Twenty digs into their archive for a release that longtime fans probably didn’t expect but will immediately appreciate. Mad Season (Live 2001)
Fifteen years on, What Separates Me From You feels like the moment A Day To Remember redrew the boundaries of what their hybrid of metalcore and pop-punk could hold. For
Flowers in the Afternoon: Late-1960s Sunshine arrives as the third entry in Craft Recording’s psych/garage RSD trilogy. Where Poppies leaned into fuzzed-out oddities and Double Whammy played in Nuggets-style garage
Creed’s rise at the turn of the millennium was fast, loud, and massive, and Live in San Antonio captures the band right in the middle of that unavoidable ascent. Recorded
Rounding out our Thanksgiving-themed selections for the week, for today’s Weirdo Wednesday, we’re serving up this classic clip of Paul Simon performing “Still Crazy After All These Years” live on
Poker is more than just a game of cards; it’s a battle of wits, and bluffing is one of the most powerful weapons in your arsenal. But bluffing isn’t just
Brazenly raw emotion and headbanging psychedelia overflow in the dynamic sound of Exceptional Failures. The PDX two-piece, made up of singer/guitarist Corey Distler and drummer Damian, shatters expected limitations of
Bay Area-based songwriter Deborah Crooks performs and records under her own name and with the band Bay Station. Place-based and rooted in practice, her work is informed by her studies
