Charlotte Martin’s day will come. Her voice is too pure. Her piano playing is too chilling. Her songs are too damn catchy. Charlotte Martin is too good to be opening a show in one of Portland’s smaller clubs. Her show would fit just as comfortably in front of thousands headlining Carnegie Hall.
Martin’s major label debut, In Parentheses, was well received in 2003 drawing comparisons to Sarah MacLachlan and Fiona Apple among others. Those comparisons didn
