[rating=3.50]
Sticks and Stones is the next installment in a long line of rewarding studio albums from jam stalwarts moe. As always, the production is top-notch, this time aided by producer John Siket (of Phish’s experimental Siket Disc). “Cathedral” is a fitting opening track, demonstrating the band’s penchant for well-constructed instrumental arrangements and pleasing vocal harmonies. “Sticks and Stones” continues the old-fashioned rock ’n’roll spirit, evincing a satisfying ’70s rock feel despite the weak, children’s-chant lyrics.
Slowing the pace with “Darkness,” the band strikes a favorable balance between bassist Rob Derhak’s vocals and the churning, gravelly guitar lines from the dexterous duo of Al Schnier and Chuck Garvey. Schnier takes over on vocals for “Conviction Song,” which ambles along with the western vibe of a slickly produced Two Gallants song. “Z0Z” provides the instrumental bridge to the second half of the album, and will become a favorite for fans of the xylophone-driven live favorite “Crab Eyes” (also featured on the celebrated 2003 album Wormwood).
The upbeat country-rock of “Deep This Time” would have found a comfortable home on nearly any early-’70s Stones record, particularly Exile on Main Street or Sticky Fingers, and “All Roads Lead to Home,” a track "moe.rons" may recognize from the road, continues in that vein—think A.M.-era Wilco or early Son Volt.
The acoustic, strings-drenched “September” is the only truly weak track on the album, but the band picks right back up with “Queen of Everything,” a rollicking Delta blues number with some tasteful, well-placed slide guitar. The Irish-tinged “Raise a Glass,” a sing-along drinking song with backup vocals provided by Umphrey’s McGee, closes the album in high spirits.
Sticks and Stones may not be their best effort, but it’s a good addition to moe.’s well-rounded discography, which makes a great case for best on the jam scene.
