Movies with an Arabic emphasis are those directed by an Arab director, which may feature stories about other cultures as well as the culture and background of the Arab world. According to Glide Magazine, while Egypt’s movie industry blossomed in the 1890s, it took decades for the Arab culture to adopt cinema.
In Saudi Arabia, it only happened after the 1960s. As a result, Egypt’s movie industry has flourished tremendously, to the point where it now produces almost 75% of the Arab world’s most acclaimed movies.
Along with these movies, you can also watch documentaries to learn more about Arabian culture and history. Join local forums and groups where you can make friends and chat with them to get a closer look at the dialects and culture there. Another easy and fun way to learn the Arabic language is to play online games. If you love gambling, check out Arabian Betting. You can play your favorite casino game with local players on any of the credible sites listed on the site.
The localized and comprehensive playing guides will help you will the game, while playing with local players will help you learn the language. Just like that, you can easily learn some new words in this language.
Coming back to the movies, the advent of new artistic representation from nations like Palestine, Lebanon, and Iraq has enhanced Arab cinema. Thus, watching Arabic movies can be an excellent method for learning the language at the convenience of your home. Below, we’ve listed some well-known Arabian films to help you understand the language better.
5 Well Know Arabic Movies
West Beirut
The movie West Beirut depicts the beginning of adulthood of two boys through their experiences with the rebellion, the significant loss of their childhood innocence, and the resulting maturity. Two teenage boys are the movie’s protagonists, obsessed with finding film for a vintage camera. To discover the film, they opt to embark on a perilous journey across restricted areas of the countryside. We witness their greater sensitivity as they struggle to stay alive in the thick of the bloody civil war. Featuring direction by Ziad Doueiri, “West Beirut” is a Lebanese movie that premiered in 1998. It is considered one of the best examples of Lebanese cinema ever produced.
The Book of Sun
The Book of Sun is a funny and heartfelt roller coaster that recounts the tale of a kid in high school who has always dreamed of directing a horror movie and how he eventually gets the opportunity to do so with the support of his quirky classmates and wacky teacher. The film by Faris Godus addresses a young fellow’s fears and insecurities as he tries to make his high school journey and chase his aspirations, making it about much more than just a bunch of funny situations.
The Night
It is a fantastic Syrian movie. The city of Quneitra, where the filmmaker was born and raised, was nearly razed to the ground by the Israelis during the war in 1967 and still lies in ruins today. The movie spans three generations, beginning with the 1930s Syrian freedom movement against the French and ending with the conflict with Israel in 1948. Malas, who is still premised in Damascus to the best of our knowledge, is the most acclaimed Syrian director, and this movie shows clear Tarkovsky influences in its use of extended, introspective lifelong ambition and recollection patterns in which time plays as significant a role in the film’s expression as space, dialogue, or action.
Barakah Meets Barakah
Mahmoud Sabbagh is the man behind the camera, and the script for the contemporary Saudi Arabian film Barakah Meets Barakah was released in 2016. This romantic comedy tells the story of a man from the middle class who falls in love with a woman from a different social class. However, it is extremely difficult for them to find a place where they can meet privately and in secret because of the conservative nature of Saudi Arabia. The movie’s opening scenes, set at Bibi’s family shop, have the impression of amateur dramatics. Moreover, many botched dialogues are used to set the stage for the various characters and explain their roles.
Wadjda
Haifaa-Al-Mansour, Saudi Arabia’s first female director, helms the film Wadjda, which follows a little girl, Wadjda, as she pursues her lifelong ambition of getting and riding a bicycle, which is not allowed in the Arabic culture. She enters a recitation contest of the Quran, intending to use the prize money to fund the pursuit of her goal. Wadjda makes a statement against the oppressive cultural norms that women in society must adhere to through the compassion and soul of a young girl’s story.
