Howard McGhee is often thought of as one of jazz’s first bebop jazz trumpeters, alongside Dizzy Gillespie, Fats Navarro, and Idress Sulieman. Maggie’s Back in Town!! by Howard McGhee is a stellar album that firmly places the trumpeter back on the jazz map after a period of relative obscurity due to drug addiction. Released in 1961, this record is a vibrant and soulful exploration of hard bop, featuring McGhee’s virtuoso trumpet playing and a lineup of exceptional musicians. This latest installment in the acclaimed Contemporary Records Acoustic Sounds series by Craft Recordings, Maggie’s Back in Town!! is being pressed on 180-gram vinyl cut from the original master tapes by Bernie Grundman
From the opening track, “Demon Chase,” McGhee’s trumpet is full of life and energy, showcasing his technical prowess and emotional depth. The frenetic pace and intricate solos immediately grab the listener’s attention, setting the tone for the rest of the album. “Willow Weep for Me” slows things down with its melancholic and bluesy vibe. McGhee’s expressive trumpet weaves through the melody with a haunting beauty, supported by Phineas Newborn Jr.’s sensitive piano accompaniment. This track is a standout for its emotional depth and lyrical phrasing. “Softly, As in a Morning Sunrise” is another highlight, featuring a driving rhythm and dynamic interplay between McGhee and the rhythm section. Leroy Vinnegar’s walking bass line and Shelly Manne’s crisp drumming provide a solid foundation for McGhee’s soaring trumpet lines and Newborn’s intricate piano work. The track builds in intensity, showcasing the group’s cohesive sound and ability to navigate complex arrangements with ease.
“Sunset Eyes” is a more laid-back, contemplative piece, where McGhee’s trumpet takes on a mellow, reflective tone. The interplay between the musicians is particularly strong here, with each player contributing to the track’s overall mood and texture. It’s a perfect example of how the album balances fast-paced, energetic numbers with more relaxed, introspective pieces. The quartet’s spin on Gershwin’s “Summertime” is a masterclass in blues-infused jazz. McGhee’s trumpet sings with a soulful, plaintive cry, while Newborn’s piano and Vinnegar’s bass provide a rich, harmonic backdrop. The track’s slow, steady groove allows the musicians to explore the blues form deeply, creating a powerful and evocative performance.
One of the standout features of Maggie’s Back in Town!! is its ability to balance technical brilliance with genuine emotion. McGhee’s playing is not just a showcase of his skills but also a heartfelt expression of his musical journey. This album is a testament to his resilience and enduring talent in the jazz world. Maggie’s Back in Town!! is a must-listen for jazz aficionados. It captures the essence of hard bop while celebrating Howard McGhee’s triumphant return to the scene. This album is a timeless addition to any jazz collection, reflecting both the era’s vibrant spirit and McGhee’s exceptional artistry.
