Boston Calling ignited the Harvard Athletic Complex this past Memorial Day Weekend, May 23-25, as always with an eclectic and electrifying lineup. Headliners included country sensation Luke Combs, pop-punk giants Fall Out Boy, and rock stalwarts Dave Matthews Band. This year’s festival promised and delivered a diverse musical journey, featuring punk-pop princess Avril Lavigne and the genre-bending Sheryl Crow with her soulful melodies and Top 40 hits.
Indie rockers Vampire Weekend, Cage the Elephant, and, of course, the “only real rock and roll” band on the bill, The Black Crowes. With over 50 acts spanning four stages, including a new rotating main stage for seamless transitions, Boston Calling was clearly designed for immersive experiences. Beyond the music, attendees could explore a diverse array of high-end local food vendors and the towering Ferris wheel, all of which contributed to the vibrant atmosphere that defines this premier festival experience. Despite the Nor’easter that hit the east coast that brought a deluge of rain to the area all day Thursday and right on into Friday’s festivities, the lines of rabid music fans waiting to get through the main gates were just as dense as previous years on the usual hot and sunny New England days.
Friday’s artists had to deal with the raw weather from the get-go. However, the combined charge between them and the audience helped everyone put it out of their minds and focus on the music. Key artists that were on the watch list included headliner Luke Combs, Nashville’s Megan Moroney, Sheryl Crow, and T-Pain. On Saturday, Mother Nature decided to relieve the festival’s concert goers of the previous day’s depressing weather and allow for just a little sunshine after an early afternoon shower. The day’s lineup featured headliners Fall Out Boy, veteran rock and rollers The Black Crowes, James Bay, Cage the Elephant, Lucius, and local curiosities, PINKLIDS – who had just opened for Jack White earlier this year. Naturally, the big names did not fail to disappoint. And sadly, Sunday’s forecast was foiled by heavy winds, spotty rain showers cool temps once again. But the music saved the day with headliner, The Dave Matthews Band, an intense performance from Rage Against the Machine’s Tom Morello, and the legendary Public Enemy – amongst others. With approximately 50 bands performing over the three-day weekend, there was something for everyone. And now, here’s our list of the Top Ten performances, in no particular order.
Boston’s own Bebe Stockwell, who had the daunting task of being the first artist to perform, took it all in stride and delivered a captivating performance, showcasing her unique folk-indie-pop sound. A lifelong musician, Stockwell’s soulful, raspy alto voice and heartfelt songwriting truly shone. Her performance highlighted tracks from her recent debut EP, Driving Backwards, released May 9th. Songs like “Minor Inconveniences” resonated deeply, proving Stockwell’s talent for transforming personal journeys into universally impactful anthems. Keep an eye on her. Her voice is incredibly unique, and it won’t be long before she’s a household name.
Richmond, Virginia’s Holy Roller delivered a powerhouse performance, cementing their reputation for a sound that seamlessly blends classic rock with Americana and soul. Vocalist Brady Heck’s commanding presence and the band’s rich harmonies, particularly from Rebekah Rafferty, were highlights. “Honey, Where’d You Sleep” and their incredible cover of “The Chain” showcased their ability to infuse traditional roots music with an undeniable adrenaline. Their live energy is captivating, proving why this Richmond collective is a must-see for anyone seeking honest, heartfelt songs delivered with compelling musicality. They’ll be back in Boston shortly for a gig at the Middle East in Cambridge – mark your calendar.
Luke Combs delivered an electrifying performance, proving why he’s a country music powerhouse. His raw, booming vocals filled the air, effortlessly transitioning from upbeat anthems to heartfelt ballads. Combs’ genuine, down-to-earth demeanor shone through as he connected with the massive crowd, sharing personal anecdotes that made the vast venue feel intimate. Fan favorites like “Fast Car” and “Beer Never Broke My Heart” ignited massive sing-alongs, showcasing the undeniable bond between artist and audience. It was a high-energy, no-frills country spectacle that left everyone feeling like old friends.
Cage the Elephant delivered an electrifying performance, proving why their live shows are legendary. Frontman Matt Shultz, a whirlwind of kinetic energy, commanded the stage along with his brother Brad. The band’s raw power and tight musicianship elevated every song, making them sound even better than their studio recordings. Hits like “Ain’t No Rest for the Wicked” and “Come a Little Closer” ignited massive sing-alongs. Cage the Elephant’s concert was a masterclass in rock and roll chaos, leaving the audience exhilarated and craving more.
The Black Crowes delivered a gritty, soulful rock ‘n’ roll masterclass. Chris Robinson, a whirlwind of swagger, commanded the stage with his powerful, raspy vocals, while brother Rich anchored the sound with his impeccable rhythm guitar. Their chemistry was undeniable, proving the brothers are back in formidable form. The setlist blended beloved classics like “Twice As Hard” with fan favorites like the mammoth opener of “No Speak No Slave” along with fresh material from their new album, Happiness Bastards, all delivered with raw energy and extended jams. The Black Crowes proved that authentic, blues-infused rock is alive and thriving.
Lucius delivered an enchanting performance, showcasing their signature blend of art-pop, folk, and soul. Frontwomen Jess Wolfe and Holly Laessig, in matching attire, captivated the audience with their perfectly synchronized, ethereal harmonies. Their voices, distinct yet seamlessly intertwined, created a lush, immersive soundscape. Beyond the stunning vocals, the band’s tight musicianship and engaging stage presence, including intimate acoustic moments in the crowd, made for a truly memorable experience. Lucius proved their status as a compelling live act, leaving the audience spellbound by their unique artistry.
Public Enemy delivered an explosive, politically charged performance that proved their enduring relevance. Chuck D’s commanding vocals and Flavor Flav’s iconic hype-man antics fueled an electrifying atmosphere. Backed by a powerful live band and DJ Lord’s masterful scratching, they unleashed a torrent of classics like “Fight the Power” and “Bring the Noise,” each lyric as potent as ever. The crowd’s fervent energy mirrored the band’s passion, creating a communal experience that was both a celebration and a resistance. Public Enemy remains a vital force, reminding us that true hip-hop is both a party and a protest.
Tom Morello delivered a politically charged and sonically explosive set at Boston Calling. The Rage Against the Machine guitarist showcased his iconic, genre-bending riffs, transforming his instrument into a weapon of both sound and protest. Beyond the dazzling guitar work, Morello’s passionate activism was front and center, with a “Fuck Trump” backdrop and vocal support for Bruce Springsteen. He seamlessly wove in Rage Against the Machine classics like “Killing in the Name” with covers of Woody Guthrie’s “This Land Is Your Land” and Audioslave’s “Like a Stone,” creating a powerful and unifying experience that resonated deeply with the energized crowd. As a bonus, Public Enemy’s Chuck D made a guest appearance for the two to perform “Prophets of Rage”.
T-Pain brought an electrifying dose of nostalgia and pure fun to Boston Calling. The crowd, a sea of enthusiastic fans, roared as he launched into hits like “Buy U a Drank” and “Bartender,” each track delivered with his signature auto-tuned flair, yet surprisingly robust live vocals. Beyond the hits, T-Pain’s charismatic stage presence shone through. He engaged with the audience, sharing anecdotes and cracking jokes, creating an intimate atmosphere despite the large festival setting. His ability to blend humor, showmanship, and undeniable bangers made his set a standout, proving he’s far more than just a voice effect; he’s a true entertainer.
Snacktime kicked off the final day of Boston Calling with an infectious burst of funk and party-pop. The Philadelphia-based eight-piece band, sporting Sixers jerseys, brought a vibrant energy to the Green Stage, quickly getting the early crowd dancing. Their set was a dynamic blend of soul, funk, jazz, and hip-hop, showcasing impressive instrumentation and a contagious sense of fun. A highlight was their clever interpolation of Kendrick Lamar’s “Not Like Us,” which sent the audience into a frenzy. Snacktime proved to be a full sonic buffet, leaving a lasting impression with their joyful noise and community spirit.
A few interesting new things that helped garner some attention for the festival this year, included the decision to do away with the dueling headlining stages and to combine them into one rotating stage. Also, the return of indoor performances inside the arena featured seven local artists from Berklee’s School of Music.
But some of the most surprising moments really came down to how good many of the undercard artists’ performances were. In addition to Snacktime, keep an eye and ear out for Saturday’s opener, Sofia Isella, a unique blend of alternative pop, rock, and classical violin that creates a hauntingly beautiful and intense experience. Isella’s passionate delivery and fierce violin interludes, especially on “Everybody Supports Women,” showcased her powerful artistry.
Local band PINKLIDS brought their New Wave/No Wave blend, reminiscent of DEVO and X-Ray Specs, which was electrifying. Frontwoman Amber Lawson commanded the stage, proving her “future rock star” status with every powerful note. New Hampshire’s Megan From Work added her own unique flair to the festival with a set that showcased her evolving sound, with “Girl Suit” being a standout. She’s a local newcomer making a significant mark. Latrell James brought an electrifying hip-hop performance to the Orange Stage. His charismatic presence and crowd engagement, including bringing his sister onstage, made for a dynamic and memorable set. He’s a true Boston legend in the making. Also, hats off to Avril Lavigne, who ignited Boston Calling with a nostalgic pop-punk explosion. Her infectious energy and signature hits like “Girlfriend” and “Sk8er Boi” had the crowd singing and head-banging, proving her enduring charisma and cross-generational appeal.
As always, Boston Calling strives to bring an eclectic, innovative, and exciting experience to Boston each year. Although the weather was not as cooperative or favorable as it had been in the past, the festival succeeded once again in showing why it’s one of Boston’s most anticipated events each year. Now, we wait until next year to find out what’s in store for 2026! Maybe we’ll get a redo from the 2020 canceled fest and see Rage Against the Machine and Red Hot Chili Peppers make an appearance. Regardless, whatever 2026 has in store, it will be fun!
One Response
Public Enemy’s current DJ (and the one who performed with them at this show) is DJ Johnny Juice. He was the DJ who performed the scratches on the first 2 Public Enemy albums, Yo! Bumrush The Show! and It Takes A Nation of Millions To Hold Us Back.