Golden Age Thursday Samples: Quincy Jones’s “Kitty With The Bent Frame” (1972) Crosses Into Hip-hop Via Mobb Deep (1995) & Roc Marciano (2012)
Evil Twin Bring Live Rock Experimentation Into The Studio For Debut Album ‘Upside Down We’re Flying’ (INTERVIEW)
Spencer Thomas and the Art of Influence: Finding Himself Inside the Songs of Others On New Album ‘Cynical Vision’ (FEATURE/ALBUM PREMIERE)
With Gentle Fingerpicked Philosophy, Jose González Explores Sound & Self On ‘Dying of the Light’ (ALBUM REVIEW)
Occupational Hazard: A Candid Documentary of Jimmy Buffett’s Early Career, Told With Love By Those Who Were There (FILM REVIEW)
Greg Anton’s ‘It’s About Time’ Covers Triumphs & Trials Of One Musician With Poetic Poise (BOOK REVIEW)
Occupational Hazard: A Candid Documentary of Jimmy Buffett’s Early Career, Told With Love By Those Who Were There (FILM REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
The Barr Brothers ‘Let It Hiss’ with Intimate and Ethereal Folk-rock Performance at Portland, OR’s Mississippi Studios (SHOW REVIEW/PHOTOS)
25 Years Later: Gorillaz Set The Tone For Illustrious Guest Filled Career On Timeless Self-Titled Debut
Saxophonist John Helliwell (Formerly Of Supertramp) On A Life Of Jazz After Prog-Pop (HEY YOU/INTERVIEW)
Time Out Take Five: Art Blakey and the Jazz Messengers, Conrad Herwig, Music Soup, Linda Dachtyl & More
SONG PREMIERE: HODJE Gives Her Disillusionment an Indie Pop Soundtrack with Bold Tune “An American Horror Story”
VIDEO PREMIERE: The Lives of Famous Men Let a Sideways Love Story Unfold Through Driving Indie Rock Sound on “Parallel Lives”
Dobro Master Jerry Douglas Talks New Album ‘The Set’, Meeting Eric Clapton & Future Of Union Station (INTERVIEW) September 9, 2024
Robert Plant & Alison Krauss Bring High & Lonesome Sound To Tucson’s Centennial Hall (SHOW REVIEW/PHOTOS) June 20, 2023
Robert Plant & Alison Krauss Kick Off Tour in Canandaigua, NY With Originals, Covers & Two Zeppelin Tunes June 2, 2022
can anyone explain why this beat out “In Rainbows”, besides the obvious ‘grammy voters are douches’? Reply
25 Years Later: Gorillaz Set The Tone For Illustrious Guest Filled Career On Timeless Self-Titled Debut Read More »
25 Years Later: Gorillaz Set The Tone For Illustrious Guest Filled Career On Timeless Self-Titled Debut
The Barr Brothers ‘Let It Hiss’ with Intimate and Ethereal Folk-rock Performance at Portland, OR’s Mississippi Studios (SHOW REVIEW/PHOTOS)
With Gentle Fingerpicked Philosophy, Jose González Explores Sound & Self On ‘Dying of the Light’ (ALBUM REVIEW)
Selwyn Birchwood Lets The Album Title Do The Talkin’ On Scorchin’ ‘Electric Swamp Funkin’ Blues’ (ALBUM REVIEW)
One Response
can anyone explain why this beat out “In Rainbows”, besides the obvious ‘grammy voters are douches’?