Cover Wars: Ohio (Crosby Stills Nash & Young)
Ten bands who have covered CSNY’s Ohio face off in this week’s Cover Wars.
Ten bands who have covered CSNY’s Ohio face off in this week’s Cover Wars.
This special Halloween edition of Cover Wars looks at Spooky by Classics IV.
The latest installment of Cover Wars looks at covers of Willie Nelson’s I Gotta Get Drunk.
DaveO has some fun with our fifth anniversary for this week’s Mix Tape.
To celebrate the fifth anniversary of Hidden Track, we have a listen to five covers of Five Years by David Bowie.
Beware, non-setlist geeks may not want to enter this Wilco piece. We got numbers.
I’ll admit it, until about two weeks ago, I thought this was a Elvis Costello original. Often times a cover can be so well known that people often mistake if for the original, but in the case of Nick Lowe’s (What’s So Funny ‘Bout) Peace, Love, and Understanding, there is an extra wrinkle in the mix – Elvis Costello actually recorded his cover under the name of Nick Lowe & His Sound. Talk about confusing. Anyways, it’s a frequently covered song and we’ve narrowed it down to six must-hear covers this week. Have a listen and place your vote for the best at the bottom of the piece.
The Contestants:
Artist: A Perfect Circle
Album: Emotive
The Skinny: If you’re familiar with the band A Perfect Cirlce then this cover is going to sound exactly how you think it would – which is really quite a unique reading of the song.
READ ON for more covers of (What’s So Funny ‘Bout) Peace, Love, and Understanding by Nick Lowe.
While Cover Wars enjoys the end of its summer vacation, we thought it was fitting that we re-ran a Cover Wars post from September 28, 2010 where we looked at seven covers of Neil Young’s Like a Hurricane. Many Northeast residents are still without power or are dealing with other repercussions of Hurricane Irene. We also want to point you in the direction of Dave Matthews’ cover of Like A Hurricane, which he debuted last Friday night.
Like a Hurricane was released on the 1977 Neil Young album American Stars ‘N Bars. Denise Sullivan over at Crawdaddy Magazine does a good job of compiling a few facts and quotes about the origins of Like a Hurricane. The highlights: It’s written about a female that Neil didn’t get to sleep with and he wrote the tune while really high, in more ways than one.
The Contestants:
Adam Sandler: Last year to celebrate their 50th year as a record label, Warner Bros. put out a tribute album with currently signed artists covering classics from the Warner Bros. catalog. In addition to Sandler, The Black Keys, Stardeath & White Dwarfs, and nine other artists contributed tracks. Source: Covered, A Revolution In Sound: Warner Bros. Records
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/hurricanesandler.mp3]The studio cut is good and Sandler did a great job on Letterman as well:
READ ON for the scoop on the rest of this week’s contestants…
As an enthusiast of all things live music and social media, a number of people pointed me in the direction of stories on Fast Company and Mashable regarding Ticketmaster’s new integration with Facebook. The gist of it is that ticket purchasers can opt-in to a new feature allowing your Facebook friends to see the exact seat location of your purchases for sporting events and concerts. This is available for the 300+ venues utilizing the pick-your-own-seat interactive seat map.
The immediate uproar in the comments section of the major blogs was that this is a stalker’s dream and typical concerns of privacy. These kneejerk reflexes are completely unfounded as the customer opts-in to this feature. Plus, you shouldn’t be Facebook friends with your stalkers anyway.
But here’s how I think it got it wrong and conversely how Ticketmaster could take a major bite out of how scalpers get all of the best tickets, something the company claims it tries to battle to the best of its abilities, despite ticket buyers having their doubts.
What if instead of having the social integration take place after the purchase occured, it happened before tickets went on sale? READ ON…
[Originally Published: April 12]
Pattie Boyd man. How could one woman be the inspiration for so many epic rock songs? We’re talking Bell Bottom Blues (Cover Wars), Wonderful Tonight, Something, and believe it or not – a few others as well. Layla was released in 1970 by Derek & The Dominos on their incredible LP Layla And Other Assorted Love Songs. In 1992, Clapton rearranged the tune for MTV Unplugged and took home the Grammy Award for Best Rock Song. And it keeps going from there, one of Clapton’s arrangements is just a couple of days old, at the bottom of this Cover Wars you’ll see some videos from April 9th’s performance at Lincoln Center with Wynton Marsalis. And, if you haven’t seen Goodfellas, well. . .
The Contestants:
Duane Allman died less than a year after he lent his legendary slide guitar skills to the original Derek & The Dominos studio take. Thirty-three years after its release, The Allman Brothers Band started covering the song, a nod that some attributed as a tribute to both Duane and the producer of the original record Tom Dowd, who died months before the Allman’s debuted it. Guitarist Warren Haynes handles the vocals. Audio Source: 9-25-2004
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/allmanslayla.mp3]Video from 2003:
READ ON for more covers of Layla from the likes of The Charlie Daniels Band, Derek Trucks, Phish, Umphrey’s McGee and Herbie Mann…