Many fans and other music lovers who’d seen the Who live around the turn of the Sixties/Seventies might well have been disappointed with Live At Leeds, a concert album fifty-five years
Even given Bob Dylan’s self-professed discomfort about exactly who constituted his audience by the time the Eighties rolled around, it still defies logic he would attempt to connect with the MTV
Had The Beatles been able to successfully fulfill the vision they originally conceived for the album that was released over a half-century ago as Let It Be, we might not have seen
It’s absolutely uncanny to listen to this latest Little Feat album and notice how the stylistic similarities of Strike Up The Band evoke the vintage releases of their namesake lineups from the mid-to-late Seventies. Implausible
Listening to Beyond Today: Live at the Farm – San Francisco 1986, the thought occurs Translator was so far ahead of its time, the band now transcends all the glib labels
Time Out Take Five is a column that offers pithy takes on recent jazz releases, spotlighting titles that deserve attention and might otherwise go unnoticed. Marton Juhasz: Metropolis – Drummer/composer/bandleader Marton Juhasz takes
Just past the half-century mark of entries in this ongoing archival series, the curators of Dave’s Picks may have outdone themselves with Volume 54. The bonus disc itself is a veritable microcosm of
Forty-five years of retrospect on the Grateful Dead’s eleventh studio record, Go to Heaven (released 4/28/80) suggests the iconic band’s dislike of studio recording finally got the best of them. Consequently,
Upon its original release over half a century ago, Cream’s initial Live album (released in April) markedly belied its title. The curators might well have found a concise concert piece to supplant
In keeping with its title (and the striking cover graphic by the famed Kelley/Mouse artistic team), Robert Hunter’s second solo album resides squarely in the oeuvre of the Grateful Dead,
