Based in part on the resounding impact of Ragged Glory, Neil Young’s return to form with Crazy Horse in 1993 earned him the nickname ‘The Godfather of Grunge.’ So, while
First conceived by guitarist/vocalist Warren Haynes and bassist Allen Woody while they were members of The Allman Brothers Band in the late 1980s and early 1990s, Gov’t Mule was intended
With the benefit of half a century of hindsight, Bob Dylan and The Band’s The Basement Tapes (released 6/26/75) would appear to represent the first of a series of revisionist
By the time Robin Tower’s For Earth Below was released a half-century ago, the former guitarist for Procol Harum had hit his stride creatively and commercially as a solo artist.
The third and final entry in the so-called “Ditch Trilogy” of albums Neil Young released following the major success of 1972’s Harvest, Tonight’s The Night, sounds like the most abrasive of them all,
The curators of the Gregg Allman Live series set a high bar for themselves through last year’s Uncle Sam’s release, but with One Night In DC, May 15 1984, the
The smiling visage of the late Richard Manuel that adorns the dust cover of Stephen T. Lewis’ biography belies the sorrowful tragedy of the musician’s life. And intentionally or not,
Neil Young and the Chrome Hearts’ Talkin’ To The Trees is nowhere near as confounding as the Canadian’s latest efforts with Crazy Horse. It’s far more compelling than 2019’s Colorado
Looking back four decades, it’s hardly a coincidence that Fables of the Reconstruction (released 6/10/85), is just as murky as its predecessors, if not more so. With sessions taking place
Contrary to the usual pre-release ballyhoo afforded a Bob Dylan album, Empire Burlesque turned out to be a sequel to its somewhat disappointing counterpart from two years prior, Infidels. Like
