In a direct reflection of the versatile playing and range of material comprising John Scofield’s third album for ECM Records, its title carries multiple meanings. The very phrase “Uncle John’s
However frosty the relationship between Jay Farrar and Jeff Tweedy had become by the time of the original 1993 release of Anodyne (10/5/93), both were able to muster enough civility
Ruf Records’ pre-release publicity for Ghalia Volt’s Shout Sister Shout! emphasizes the mythology surrounding the location of this recording in Joshua Tree, California. To this woman’s great credit, on the
The title of Pat Metheny’s latest album, Dream Box, is taken in part from jazz slang for a hollow-body guitar. But it’s the Missouri natives’ imaginative use of such instruments
As much as the release of the Replacements’ Tim on Sire Records caused consternation among their ever-so-independent fans, the first release of the Minnesota ne’er do wells’ work on a
Errantly introduced as returning to the ‘State Theater,” Hot Tuna nevertheless made itself at home at the Flynn Center the night of September 16th in the midst of its final
Intentional or not, the cover images for Poco’s Crazy Eyes (released 9/15/73) were prescient indeed. On the front, a group portrait catches a somber quintet shrouded in shadows, while the
The cynical might contend the two-CD set of Who’s Next/Life House merely scratches the surface of the larger compendium from which comes its contents. But it’s more accurate to term
From the hardcover book, tour program, and poster to the rice paper sleeves that enshroud the four compact discs in replica LP covers, niceties abound in the package of BBA
Titling the Pretenders’ twelfth studio album Relentless is absolutely fitting and not just for its tongue-in-cheek cover graphic. The name of the record is fully in keeping with the feisty
