Hidden Track Staff

Picture Show: Bright Eyes @ Radio City

Bright Eyes @ Radio City Music Hall, March 9

Words: Jeffrey Greenblatt
Images: Jeremy Gordon

It’s hard to believe that it has been four years since Conor Oberst last recorded under his longtime moniker Bright Eyes, an eternity for a guy that is known for his prolific output. Since the 2007 release of Cassadaga, Oberst has stayed busy by releasing two “solo” albums of breezy, folk-rock with the Mystic Valley Band along with his contributions to the Monsters Of Folk – a band which features his pals Jim James, M. Ward and Mike Mogis. The Omaha native, who has dusted off his Bright Eyes project for the occasional benefit gig in the last few years, finally deemed it time to return to his roots in 2011 with the release of  his seventh studio album, The People’s Key.


The album, which may or may not be his last as Bright Eyes depending on who you want to believe, is a sonic departure from his recent work. Oberst has traded in his acoustic guitar for an electric, and his Americana-drenched sound for a maudlin, synth-driven, straight ahead rock one.

Last week, Oberst and his latest version of Bright Eyes – which has  featured a rotating lineup over the years, but typically includes multi-instrumentalists Nate Walcott and Mike Mogis – pulled into the Big Apple for a two-night stand at the majestic and cavernous Radio City Music Hall. It was a curious night to be a Bright Eyes fan as the crowd was vocally and visibly excited for the band’s live return to the room they had last played in November of ’07. However, the audience’s enthusiasm seemed to ebb and flow over the course of the two hour show in sync with the crowd’s familiarity with the set list, which included a number of deep cuts.

READ ON for more thoughts on the show and a full picture gallery…

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Bowlive: More Video and Photos

Bowlive 2011 has come to an end after 10 performances by Soulive and a slew of guests at Brooklyn Bowl over the past two weeks. Earlier, Three Grown Men detailed why Soulive is NYC’s Band and the New York Times seemed to agree. We wanted to share two sets of media from the past few nights. First up is a selection of videos shot by our friend Sunil at Thursday night’s show, which was a tribute to Sly Stone.

Soulive Pays Tribute to Sly Playlist – Que Sera Sera (w. Alecia Chakour, Ivan Neville, Nigel Hall, Van Hunt and More), Yonrico Scott Solo, Sing a Simple Song (w. Alecia Chakour, Karl Denson, Van Hunt, Ivan Neville, Adam Smirnoff and More), In Time (w. ?uestlove, Van Hunt and More), Neal Evans Solo and Stand (w. Van Hunt, Ivan Neville, Alecia Chakour and More)


On Friday, photographer Rob Chapman caught Soulive in action and shared a number of fantastic shots of the band and special guest Karl Denson…

[All photos by Rob Chapman]

READ ON for more of Rob’s shots from Bowlive #9…

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Picture Show: String Cheese Incident

Colorado-based jammers String Cheese Incident played their first show of 2011 last night at the 1st Bank Center in Broomfield, CO as part of the group’s Winter Carnival. SCI bassist Keith Moseley mentioned that the band would dust off a number of tunes they hadn’t performed since going on hiatus in 2007 in an interview with HT earlier this month and String Cheese lived up to Moseley’s word by including the previously shelved Suntan, Cottonmouth, Big Shoes and Ramble On in the setlist.

[All photos by Brian Spady]


The first set finished with the SCI debut of the Colorado Bluebird Sky, a song written by Bill Nershi and his wife Jillian about an east coaster seeing Colorado for the first time. For the start of the second set, SCI offered a version of BAM! that featured a cover of Cee Lo Green’s Fuck You in the middle. Also of note, String Cheese’s encore featured the Chuck Berry tune Tore Up Over You done in a similar style to the Jerry Garcia Band.

Set 1: Smile, Birdland > Wheel Hoss > Birdland, Sometimes a River, Black and White, Suntan, Don’t Say > Water, Colorado Bluebird Sky

Set 2: BAM! > Fuck You > BAM!, Betray the Dark, Rivertrance, Cottonmouth, Piece of Mine, Sweet Melinda, Big Shoes > Ramble On

Encore: Barstool, Tore Up Over You

[via Friends of Cheese]

J.D. Crowe and the New South open tonight’s show in Broomfield.

[Thanks to Jambands.com for some info included in this report]


READ ON for more of Brian’s amazing photos from Night One of String Cheese Incident’s Winter Carnival 2011 at the 1st Bank Center…

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Feature: Talking Winter Carnival With String Cheese Incident’s Keith Moseley

Words: Timothy Dwenger

In November of 2006, The String Cheese Incident announced they “had no plans beyond the summer of 2007,” and this left many fans searching for answers because it left things a bit up in the air. Just before the “final” incidents at Red Rocks in August of 2007, Kyle Hollingsworth told the Westword in Denver “what’s frustrating for me is that we never have ever said we’re breaking up. I think the quote is something like, ‘after August ’07, we have no plans.’ But that doesn’t mean that there won’t be plans later. So what’s frustrating for me is that everyone interpreted it as the band is breaking up. And I’m not sure exactly what’s going to happen. We have no plans. But I just want to make it clear from my point of view that the future’s wide open for us.” This provided little solace for fans who were without their beloved barefoot boys for nearly two years, until, almost out of the blue, The String Cheese Incident announced they would be performing at Rothbury in 2009 and the rumors started flying again: Would they tour again? When will they play next? Was this a one-off performance?


By all accounts the Rothbury performance fueled the band members desire to play music together again, and in early 2010 many of the rumors were put to rest when it was announced that the band would play a “handful of Incidents” over the course of the year starting with a three-night stand at the band’s unofficial home, Red Rocks Amphitheatre. They visited another place that is close to their hearts when they set up camp at Horning’s Hideout and finally they closed out the year with two Hulaween shows inside The Mothership in Hampton, VA.

As they demonstrated with their 2010 schedule, the band made it quite clear that, though they do want to play together as String Cheese Incident, they have no intention of mounting the kind of full scale tours that they built a career on. Instead they are again reinventing another paradigm of the music industry by pledging to schedule a few destination events each year that will allow them to play the music they love, while giving their fans the opportunity to commune with the music and the friends that have always made the community that surrounds the band so special.

READ ON for more on the String Cheese Incident…

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TAB Albany: Photos and Live Phish Available

This past Saturday night, the Trey Anastasio Band delivered its best performance of the tour thus far at the Palace Theater in Albany, NY. While official recordings from last year’s shows were not made available through LivePhish.com outside of the TAB at the TAB release, we’re glad to see that Big Red has opted to make the Albany sets available for purchase and download.

[All photos by Andy Hill]


Speaking of the Albany show, photog Andy Hill was in attendance and turned in a full gallery of photos. READ ON to check them out…

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Bonnaroo X Lineup: From A to Z

It’s been over a week since AC Entertainment and Superfly Productions unveiled the lineup for Bonnaroo X and after having seven days to examine the bill, we’ve come up with some thoughts to share on this year’s event. In typical Hidden Track fashion, we’ll lay out our take from A-Z…


A is for Ashley Capps – One of the founders of Bonnaroo and namesake of AC Entertainment gave two telling interviews that help explain where the event’s promoters were coming from when preparing the lineup. Head to Jambands.com and NPR.com to read and hear Ashley’s take.

B is for Buffalo Springfield – Neil Young, Stephen Stills and Richie Furay reunited for the first time since 1968 at last fall’s Bridge School Benefit. While rumors of a Buffalo Springfield tour have been running rampant for the past few months, Bonnaroo scored the group’s first gig since one of the best reunion concerts in recent memory.

C is for Country Music – The genre, which is quite huge in that area of the country, will once again be on display with alt.country, traditional country, bluegrass and contemporary country acts on the bill such as Mumford & Sons, Alison Krauss & Union Station, Old Crow Medicine Show and Loretta Lynn.

READ ON for our entries for D through Z…

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State of the Union: moe. 2011

We’ve asked moe.ron extraordinaire Kahlil Katool to cover the moe. beat for Hidden Track and he has kindly accepted. Kahlil will be covering snoe.down for us, but starts by sharing his opinion of where the band is at after the group’s first two tours of 2011…

something new, something cool , something borrowed, something blue…

This line from moe.’s new song Haze rings true as an accurate description of what the band has offered the music world in 2011. Coming off the heels of their 20th anniversary tour in 2010, the members of moe. may have shed the suits they wore all year long to celebrate the benchmark, but have remained all business while barreling head first into 2011.

[Photo by Jeremy Gordon]


moe. has played 22 shows thus far this year, starting out with the Tropical Throe.down in the Dominican Republic, touring through the Pacific Northwest and hitting the left coast along with the Rockies, and most recently returning to Japan. Dual-lead guitarist Al Schnier, had this to say when asked how the band felt about the past two months: “New Year’s Eve in Boston was a great way to end the 20th Anniversary tour and the Dominican Republic was a great way to kick off this year. I can’t say enough good things about that trip, and we are already discussing plans for a follow up (island excursion). This run has been great one, and (we) are heading even further into 2011 with a lot of momentum.”

The New York-based “ragers of improvisational rock” continue to push the envelope nightly breaking outside of the familiar with over a dozen new songs debuted since last year’s Summer Camp Festival. The band is integrating these new songs in their set arrangements with great fervor. moe. has been taking big chances outside its comfort zone as the band mixes up its setlist writing formula of traditional staple “big guns” (ie. Moth, Recreational Chemistry, Timmy Tucker, meat., Yodelittle, Brent Black, McBain) as being the centerpieces of the energy and flow of moe. sets.

READ ON for more from Kahlil on moe.’s 2011…

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Picture Show: Akron/Family @ The Knit

Akron/Family @ The Knitting Factory, February 17

Words: Jeffrey Greenblatt
Images: Jeremy Gordon

Last Thursday night, the sounds permeating the air at the Knitting Factory’s new outpost in Williamsburg were full of long improvised jams, yet you’d be hard pressed to find anyone in the room discussing Trey Anastasio’s impending solo tour or dissecting Umphrey’s McGee’s setlist from the night before. This night belonged to a completely different breed of “jamband,” as the Akron/Family put its brand of Cosmic American music on display, to a sold out crowd, that enthusiastically danced with abandon during the Brooklyn & Portland-based act’s hour and a half-plus tour opening show.


Declaring that they had lost a coin-toss with the universe, the three-piece act, whose music straddles the line between Animal Collective’s knob turning psychedelic weirdness and the Grateful Dead’s early ’60s primordial acid-drenched material, opened the night with an impromptu acapella cover of the chorus of  Marvin Gaye & Tami Terrell’s Ain’t Nothing Like The Real Thing. With the debt paid to the music gods, the band used the majority of the night to showcase material from the highly recommended new studio album S/T II: The Cosmic Birth and Journey of Shinju TNT.

READ ON for more on the night and a full photo gallery…

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HT Interview: Trey Anastasio, Part Two

Guitarist Trey Anastasio kicks off a 12-show tour with his solo band tonight at the State Theater in Portland, ME. To preview the Phish front man’s latest TAB tour, we’ve dedicated a post a day to Anastasio as part of the first-ever Hidden Track “Trey Week.”

[Photos by Joe Ringus]


“Trey Week” concludes today with the second part of our wide-ranging e-mail interview in which the guitarist talks to us about TAB keyboardist Ray Paczkowski, his songwriting process, black shirts and much more…

Hidden Track: Ray Paczkowski has been the one constant in this band since 2001. Can you tell us what aspect of Ray’s playing makes him perfect for this band and these songs?

Trey Anastasio: Oh man, where do I start? , Ray.. Ray takes my breath away. Ray’s spirit, Ray’s playing… Indescribable. His playing is… “unhinged?” He’s capable of letting go in a way that I’ve rarely heard a musician let go.

The thing is, if you believed in the muse, or the spirit, or the concept of an artist being a channel, then you would know that there is nothing in music to fear except fear itself. The more you let go the more “right” everything would sound, you know what I mean? Ray has that fearlessness. I’ve been in the studio with engineers and producers, and I’ll say “turn up Ray,” and we’ll turn him up and up and up and you can’t turn him up too much, because it’s a selfless playing so it never seems to intrude on the overall sound. It’s an amazing thing. I just love playing with him so much. I can’t wait to get to do it again. I usually spend the whole night just staring at Ray.

READ ON for more of our interview with Trey Anastasio…

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HT Interview: Nathan Moore

Words: Andrew Bruss

Nathan Moore is one of the most talented songwriters you’ve never heard of. If you have heard of him, then odds are you agree. The day Hosni Mubarak stepped down as President of Egypt, Moore was kind enough to conduct a phone interview from California to talk about his latest album, Dear Puppeteer. His experience on Jam Cruise, opinions on the situation in Egypt and his aspiration to be the first ever slight of hand folk singer were all topics Moore weighed in on.


Hidden Track: I used to write for Aaron Kayce over at Jambase and before this interview I asked him if there was anything specific I should ask you. He said more than any one question I should be comfortable asking you anything.

Nathan Moore: [Laughs] That’s probably true

HT: So if it’s cool with you, I’ve got an exercise in the form of a three-part question.

First, I’d like to know what your experience was like on Jam Cruise. Second, what do you think of what’s going on in Egypt? And third, can you draw any kind of correlation between Jam Cruise and what’s going on in Egypt?

NM: [Laughs] That’s great. Well Jam Cruise was definitely a wonderful experience. I really… the wisdom I shed there was bringing my buddy Bryan Elijah Smith with me and what we did I couldn’t have done without him. We played so much music and had so much fun. I’ll never forget it.

HT: Any standout memories?

NM: Well, we really worked very hard. We still reminisce about the spot… it was right outside the jam room on the deck by the water where everyone had to go to smoke. We set up there from midnight till dawn. It became an all-consuming mission. Once we got our spot we were always trying to get enough rest and participate in as many things as possible. But our eyes were always on the prize of getting back to that spot. We made a lot of memories and friends and I’ll never forget it. If they don’t have us back next year they have to get someone else to hunker down in that spot.

READ ON for more of our conversation with Nathan Moore…

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