[rating=8.00] After a year of touring together, husband and wife team Béla Fleck and Abigail Washburn decided to record their first musical collaboration. The resulting album, simply titled Béla Fleck
[rating=7.00] The final installment of Charlie Mars’ so-called Texas Trilogy, The Money finds Mars taking a small step backward while at the same time continuing along his path of artistic
[rating=8.00] Once an unknown band that lurked in the shadows while releasing tracks anonymously, with its full-length debut Sir Sly shines a light on an immense talent for creating infectious
[rating=7.00] Who exactly does Gary Clark Jr. think he is, releasing a double-disc live album after only three full-length studio albums? Isn’t a double live album supposed to be reserved
[rating=9.00] When the prolific Ty Segall spends 14 months recording an album, it makes a statement. Manipulator is Segall’s seventh LP in seven years. Considering all of the side projects
On Monday night a rain-soaked Tampa crowd was treated to two of the biggest and most influential bands of the 1990’s in a sold-out show that contrasted the two major
[rating=7.00] A Life Worth Living, the sixth studio album by Louisiana roots singer Marc Broussard, is his most personal project to date. No longer hiding behind ambiguity or his former
[rating=6.00] With his debut album, the aptly titled In the Lonely Hour, London singer Sam Smith spends just under an hour bemoaning the loneliness, sorrow and self-doubt that love leaves
[rating=7.00] Cemetery Dares, the debut album by Brooklyn-by-way-of-St. Louis band Modern Rivals, is an ambitious mix of sun-drenched psychedelic pop. At times basking in the warm reverb and at other times
[rating=6.00] Considering that the latest album by Sarah McLachlan, the queen of the mournful piano ballad, is largely inspired by personal tragedy, one might expect an unrelenting deluge of misery.
