Jeremy Lukens

Jaill: Traps

Traps’ opener, “Waste a Lot of Things,” finds frontman Vincent Kircher repeating the line “yes it’s very sad” over an upbeat kick drum and bright, reverberating guitars. With its sunny guitars and bouncing rhythm, the song’s tone seems more fitting for a beach romp than for a confession that Kircher tends to waste the good things in his life. Such is the case for much of the album, Jaill’s second for Sub Pop Records.

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The Sun Parade: Yossis

When the music and lyrics both hit their stride, the resulting splendor is undeniable. As the young Jennings and Lewis grow as songwriters, these inspired moments should occur with more frequency.

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Grace Potter & The Nocturnals : The Lion The Beast The Beat

Earlier in the year, some fans were worried about the direction Grace Potter and the Nocturnals were heading. Bassist Catherine Popper had recently left the band. Then the band announced a tour opening for country artists Kenny Chesney and Tim McGraw. The release of The Lion The Beast The Beat should alleviate those worries, though.

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Chris Burns: Out of the Well

In the five years since his debut EP, CB Radio, Chris Burns has transformed from a loop pedal-wielding solo musician to front-man The inherent risk in such a change is to go from a raw, intimate sound to overproduced pop alchemy. In the case of Burns’ full-length debut, Out of the Well, those pitfalls are largely avoided.

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Arkells: Michigan Left

Following the success of their 2008 debut, Jackson Square, which had Arkells touring with the likes of Pearl Jam and Them Crooked Vultures, the Ontario indie rockers garnered acclaim for their energetic live shows. Michigan Left, the band’s second full-length album, is an attempt to capture that stage show on record.

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Anya Marina: Felony Flats

Felony Flats is a slight downgrade from 2009’s Britt Daniel-influenced Slow & Steady Seduction: Phase II, but that is a testament to the greatness of the latter, rather than a criticism of the former. By adding electronic dance vibes, swelling feedback and crunching guitars to her sonic palette, Marina crafts a visceral work of art pleads, teases, draws you close, and then moves on with the shrug of a shoulder.

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Chris Cornell : Songbook

Throughout his enviable career, Chris Cornell has always enjoyed taking his music in different directions. Whether blazing the trail for the grunge movement with Soundgarden, fronting rock supergroup Audioslave or releasing solo albums, Cornell was always experimenting with his artistic expression. Though at times his experiments failed, such as his ill-conceived collaboration with Timbaland, even at his worst Cornell’s music had one nugget of redemption: that voice.

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Moreland & Arbuckle: Just A Dream

As a blues-based rock duo, Moreland & Arbuckle will always be compared to the White Stripes and the Black Keys, but that is not a fair comparison. The White Stripes used excessive fuzz to mask average musicianship while the Black Keys, until recently, used massive riffs to mask average songwriting. Moreland & Arbuckle, with a deeper and rootsier sound, doesn’t have either of those shortcomings.

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We Are Augustines: Rise Ye Sunken Ships

Rise Ye Sunken Ships, the debut album by We Are Augustines, is a raw meditation on the loss, pain and hardships that have encompassed the band members. Guitarist Bill McCarthy and bassist Eric Sanderson began penning the songs for what would have been the sophomore album of their previous band, Pela. While writing and recording the tracks, the band feuded with management, the record label and with themselves while McCarthy tried to cope with news that his little brother, James, had committed suicide at a psychiatric hospital.

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Grouplove: Never Trust a Happy Song

Three years after meeting up, Grouplove has released their full-length debut, Never Trust a Happy Song. This indie pop effort has all of the passion and intensity that inspired the individual musicians to join up originally. The album’s title may bring to mind introspective, shoegaze songs about loss and rejection to the tune of bitterness. However, Grouplove delivers songs that are anything but downers.

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