
Deltron 3030- Highline Ballroom, NYC, NY 10/14/13
A 17-piece orchestra took its seats in darkness, minutes before a snippet from a tennis match — sampled from a commentator announcing a score of “thirty-thirty” — introduced Deltron 3030.
A 17-piece orchestra took its seats in darkness, minutes before a snippet from a tennis match — sampled from a commentator announcing a score of “thirty-thirty” — introduced Deltron 3030.
[rating=8.00] Like an eulogy in reverse, a dreary organ hums the first notes of Mazzy Star’s first work in 17 years. During that time, Hope Sandoval and David Roback never
[rating=7.00] Del the Funky Homosapien & co.’s postscript to their riveting, world-gone-mad opus, Deltron 3030, picks up in the post-apocalyptic year 3040, where life and all its forms have surrendered
[rating=6.00] First, a word on that jacket cover: is this a band selling, or a band for sale? The sign hanging above the pictured consignment shop/hair salon — Stylz Unlimited
Flash floods disrupted Violent Femmes 18 minutes into their set Thursday in Central Park, and ultimately halted the band’s first New York show since 2007. After playing only five songs,
“I probably shoulda told ya earlier,” Buster Poindexter warned, hooch in hand, halfway through his second set of the night. “But I’m a little nuts.” The line summed up David
[rating=7.00] Even as he toured with Red Hot Chili Peppers in 2007, John Frusciante, the band’s guitarist, hauled a synthesizer and a drum machine between hotel rooms. His mind was
To pin the R&B label on Land of CanAan would miss what Marques Toliver’s first album captures: a junction of soul and classical sensibility, where a violinist with a killer vocal shakes up both genres.
he Slackers, a six-piece ska and rock-steady band from New York, premiered a handful of songs Saturday night for a crowd of 55 packed into a Manhattan loft. Dubbed a “secret show,” the sold-out performance paired the group’s in-the-works singles with covers and requests.
One CD might have done the job, but there’s little bloat here and more than enough to entice die-hards and new listeners with a proper reflection on the group’s genesis, process and closure. Essential Oils draws from all 14 of their recordings between 1978 and 2002. At 36 songs, the album traces a journey of demanding social justice through song, ones that evolve from polished punk to textured pop to industrial mayhem.