Posts by Shane Handler

Previously known as the “the best unsigned band in America” by Rolling Stone, The Whigs have found a home with Dave Matthews’ ATO Records. Their ATO debut, Mission Control combines the arena rock accessibility of The Foo Fighters and the beer fueled garage rock of The Replacements.

You may remember Stevie Ray Vaughan as arguably the greatest electric blues guitarist, but do you know him as a video giant?  No, probably not, because SRV was no Michael Jackson. And the Texas boy would be more likely playing dance punk chords (as he did for Bowie’s “Lets Dance”) before looking pretty in a video. Stevie was more about sound than image; although you have to hand it to him for always looking cool with his flat brimmed hat, poncho and SRV initialed Statocaster.

Director Anton Corbijn recreates Curtis’ struggles in Control, basing the script on the autobiography, “Touching From a Distance,” by Curtis’ widow. The urban decay and paranoia of late 1970’s Manchester, England is conjured vividly from the film makers black and white imagery, which later gave birth to the “Madchester” scene a decade later.

So it finally happened. The next most bewildering reunion aside from the ghosts of John and George jamming with Paul and Ringo, Led Zeppelin reunited and played a full two-hour show Monday night at the O2 Arena in London.

Releasing one, two and sometimes three studio albums a year, calling Ryan Adams prolific would be an understatement. However for every brilliant Cold Roses there is a "did we really need this" 29. With the Follow the Lights EP, Adams has released perhaps his most unblemished recording since Gold.

With year end best of lists being cluttered with The National, Spoon and Bruce Springsteen, there is a band out of Birmingham, Alabama, Through the Sparks, whose Lazarus Beach certainly deserves some attention. Through the Sparks is a collaboration of long time friends that involve James Brangle and Jody Nelson, who began writing and recording with longtime friends and collaborators Nikolaus and Thomas Mimikakis and Greg Slamen in early 2004.

The Radishes are a San Francisco/Los Angeles based band with an attacking sound that has been described as Nirvana meets Motorhead. Although musical comparisons are easy to come by, cocalist/guitiarst Paul Stinson likens it as White Stripes meets the Stooges meets NIN. Not too shabby. Toss in the Radishes fiery vocals and their ominous song-writing with loads of pop, punk and metal, and you have an act that could be headlining the big festival stages if they weren’t doing it the small “Do It Yourself” route, in part due to Stinson's self admitted "laziness."

The Marquee Theater has that effect of making a Friday night seem like a Tuesday for most bands, but Art Brut and The Hold Steady knew they have a job to do. As Finn said at the end of the show, “there is so much joy in doing what we do,” – you almost had to believe him.

With a little more direction, Spirit If.. has the makings of a winner, instead it has too many B-sides mixed with the good stuff to award Drew higher status on the Broken Social Scene name chain.

La Cucaracha isn’t your Chocolate and Cheese or Mollusk Ween; it’s inconsistent, but never-the-less, it’s always been about those three or four Ween gems that keep you coming back.

R.E.M. Live isn’t going to turn their naysayers to the R.E.M. sound, but it proves a better late that never live package, or at least a well needed hold-me over until their next studio release due in early 2008.

Straddling the indie/classic rock/roots line of My Morning Jacket and Wilco, while incorporating the sensitive harmonies and instrumental angst of Built to Spill and Neil Young, Band of Horses is pure critic ear porn.

 A new Radiohead album came out today. You can download it at inrainbows.com. After you put it in your shopping cart, you can choose to pay whatever price you want. What else can you say?  

On his third Iron and Wine full length, The Shepherd’s Dog, Beam sticks with his token formula of hushed melodies and moving lyrics as the ground-work, but goes in a whole new direction above. Like his flowing mane and beard, Beam grew out the production level on The Shepherd’s Dog, that includes African rhythms and expanded instrumentation of courtesy of Joey Burns and Paul Niehaus from Calexico, Califone’s Jim Becker and Tin Hat Trio’s Rob Burger.

With Neko Case and Dan Bejar playing live with The New Pornographers, artists that had two of 2006’s best albums (Fox Confessor Brings the Flood and Destroyer’s Rubies), the evening’s performance in Tucson could have been billed as: The New Pornographers feat: Neko Case and Dan Bejar.

Like a good book, Kill to Get Crimson needs some time to get comfortable with, but it’s worth the effort. 

it’s only fitting that with 2007 welcoming the 50th Anniversary of Jack Kerouac’s On the Road, that Christopher McCandless’ journey to a destination unknown made it to the big screen. McCandless’ two year adventure was documented in the 1996 best seller Into the Wild, by Jon Krakauer, and has since served as modern-day thesis for self-discovery.

This Danish duo Junior Senior creates a pop nightmare on Hey Hey My My Yo Yo incorporating enough sugary disco revival to make Scissor Sisters sound like Christian rock. Hard to believe this effort was partly recorded at Muscle Shoals Studios, as the only soul on it is the soul searching you’ll do if you listen to it more than once.

Say what you want about the Dave Matthews Band, and their rah rah “Ants Marching,” frat rock clap-a-longs. Stripped to the bone, you’ve got one of the best singer-songwriters around. Live at Radio City is further proof.

if Elliott Smith was the front-man for your band, they’d surely sound like Earlimart’s bag of introspective indie pop bliss. On their follow-up to 2004’s critically acclaimed Treble & Tremble, L.A.’s Earlimart revamp their ELO meets west coast indie on Mentor Tormentor.