Shane Handler

Apollo Sunshine: Apollo Sunshine

Poor Boston. Once Beantown was the crown jewel to alternative music, but now it finds itself cast aside the jetstream of Montreal to its northwest and New York City to its southeast for bragging rights amongst the Arcade Fires and Interpols. Enter Apollo Sunshine, labeled a

Read More

James Blunt: Back To Bedlam

Proving to be more than just a looker for the ladies, James Blunt has recently achieved the momentous task of booting Coldplay from the top of the UK charts, a spot it proudly held for eight weeks. And to poor salt over Chris Martin

Read More

Calexico/Iron & Wine : In The Reins

In the first of what we can only hope will become a series of collaborations between Calexico and Iron & Wine, this seven song effort features the minimalist Sam Beam approach floating on neo-folk and country-western waters.

Read More

Death Cab for Cutie: Plans

Plans fails to pick things up a notch in the rock department where Transatlanticism teased us in believing DCFC would be the next great experimental guitar band. There is a load of keyboard sap and wish washy ballads to deal that makes Plans a rather soft affair.

Maybe next time instead of recording in New England in the dead of winter, these west-coasters should stay in overcast Seattle and stick with a familiar formula. The true Death Cab sound is still here at times, but at the end Plans leaves you asking, “what is all the fuss about?”

Read More

Feist: Let It Die

Having sung with Canadian indie-popsters Broken Social Scene to female rapper Peaches to the Kings, Leslie Feist has paid her dues. But it

Read More

View posts by year