Columns

An Introduction To Grading – Part 2

In my last column I discussed the difference between a seller who describes the condition of a record versus one who actually grades the record as well as what questions to ask and what to expect with the former.  This time, I'll discuss the seller who is at least sophisticated enough to attempt to grade as well as the catches involved in dealing with the less-than-concrete world of record grading.

Read More

The Blogosphere Remembers Jay Bennett

We’re still in shock over losing Jay Bennett on Sunday morning. The cause of Bennett’s death still isn’t known after the preliminary autopsy reports came back inconclusive according to a

Read More

New To Glide: Trey w/ BSO Pics

Our proud corporate papa, Glide Magazine, has just been updated with a gallery of photographs from last week’s East Coast debut of  Time Turns Elastic at the Meyerhoff Symphony Hall

Read More

Cover Wars: Tomorrow Never Knows Edition

There is certainly plenty to read up about in regards to this week’s selection, The Beatles’ Tomorrow Never Knows. From the origin of the title to the revolutionary vocal recording techniques to the LSD inspired lyrics, the whole thing is quite interesting. Also of note is that while it is the closing track on the album, TNK was the first song recorded for Revolver.

Cover Wars

My favorite quote regarding the recording comes from legendary engineer Geoff Emerick. Sometimes I forget just how much The Beatles revolutionized the recording process as we know it…

It meant actually breaking into the circuitry. I remember the surprise on our faces when the voice came out of the speaker. It was just one of sheer amazement. After that they wanted everything shoved through the Leslie: pianos, guitars, drums, vocals, you name it!

Checking on last week, Grace Potter finished in first and Built To Spill came in second with another big chunk of votes in the Cortez The Killer Cover Wars. Checking in on two week’s ago, moe. and Umphrey’s are still battling it out over Can’t You Hear Me Knocking without a clear winner.

801: Technically, 801 titled this track TNK when they first released it in 1976. The lineup for 801 is: Phil Manzanera (guitar), Brian Eno (keyboards), Bill MacCormick (bass), Simon Phillips (drums), Francis Monkman (keyboards), Lloyd Watson (slide guitar). This shit is bad-ass. Source: 801 Live

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/05/tomorrow801.mp3]

READ ON
for the rest of this week’s Cover Wars contestants…

Read More

You Can’t Stump The E Street Band

Bruce Springsteen and the E Street Band concluded the first leg of their latest World Tour at the Izod Center in East Rutherford on Saturday and from the widespread rave reviews each show has received it seems as if the band is firing on all cylinders. One of the more exciting elements Springsteen has added to most sets is the “Stump The Band” segments where The Boss takes requests from the crowd on new covers for the band to play.

042909b

[Photo via Backstreets.com]

Over the past two months the E Street Band has covered songs from a wide range of artists including The Clash, The Who, ZZ Top, Jimmy Cliff and Creedence Clearwater Revival. To recap We made a list of the “Stump The Band” covers played thus far featuring the best YouTube clip of that performance available so you can check it out. Take a look…

April 15 – Raise Your Hand (Eddie Floyd):

READ ON for more Bruce Springsteen “Stump The Band” videos…

Read More

Jay Bennett Passes Away at Age 45

We’re saddened to interrupt a wonderful three-day weekend to share the awful news that musician Jay Bennett, a former member of Wilco, died early this morning. Details are sketchy at

Read More

Friday Mix Tape: Six Summer Songs

This weekend marks the moment we’ve been waiting for since we said goodbye to summer last year, as we officially say hello to Summer ’09 (or the Summer Of Jam

Read More

Tour Diary: U-Melt’s Zac Lasher (Part 3)

We’d like to welcome back U-Melt keyboard ace Zac Lasher for the third set of entries from the Tour Diary he kept for Hidden Track. For parts one and two, Zac wrote about U-Melt’s journey through America’s Heartland. Now, we bring you the final installment of Zac’s Hidden Track Tour Diary…

4/27 – On the road to Tulsa

The county gets really big out here. Being from the Northeast, I’m used to everything being really close together. Not here. Another day of driving hours and hours with absolutely nothing around for miles and miles and miles gives me time to reflect. I found out about the pretty serious electronic music scene in eastern Colorado… I gotta say, it’s pretty hip – we opened for an electronic act that rocked the house at the Fox in Boulder, and on Saturday in Denver we played next door to a big electronic music circus complete with fire-dancers, stilt-walkers and live-painters. It was all very Burning-Man.

I’m very into that kind of scene, so I definitely enjoyed it, but it did all make me wonder as to the place of Rock ’n Roll in today’s (and tomorrow’s) world. It seems to me that electronica is a new kind of folk music. It doesn’t really require musical training, and it doesn’t require hours of rehearsal with a band. You just need a laptop, some key software and the inspiration and tenacity to learn how to use it, and you can get a crowd into a frenzy playing your produced tracks. READ ON for more of Zac Lasher’s Tour Diary…

Read More

View posts by year