The fourth episode of ‘Better Call Saul’ ruins some classic Saul-as-master-manipulator moments with awkward side characters and a particularly weird bit involving the Space Blanket.
The 2015 Academy Awards have come and gone. This year saw one of the most concise and well produced ceremonies in recent memory. Coming in at just over three and
The Academy Awards are this Sunday, and by Monday morning I’m sure we’ll all be debating the pros and cons of the awards given. That’s sort of a fact of
‘Better Call Saul’ hits a narrative wall in its third episode, relying on cheap crime show devices and cheaper ‘Breaking Bad’ callbacks. But it’s not all bad.
[rating=1.00] The whole phenomenon surrounding the Fifty Shades of Grey trilogy has always baffled me. I’ve seen it billed as “housewife porn,” a sort of refuge of sexual imagination and
‘Better Call Saul’’s opening episodes rise above ‘Breaking Bad’ callbacks, solidifying Saul Goodman as a fascinating lead character.
It’s been 27 years since the release of NWA’s seminal album, Straight Outta Compton, and the culture of America hasn’t quite been the same since. Recorded in response to the
[rating=6.00] There’s a prevailing sense among many armchair critics and internet commenters that a movie—or really, anything—needs to be wholly original in order to be considered a valid entry into
It’s easy to be cynical these days, what with all the remakes and reboots Hollywood seems dead set on shoving down our throats. Is nothing sacred anymore? Do we really
Marvel studios seems bound and determined to become the reigning kings of all media. They’ve already taken over the world, turning their upstart movie production studio into a billion dollar
