There’s a palpable air of familiarity wafting from the music on Pat Metheny’s Side-Eye NYC (V1.IV). Those readily recognizable elements are no doubt enough to retain longtime fans of the
Slothrust’s fifth album is a gratifying blend of hard alternative and pop-rock with a folksy twang. On 2018’s The Pact, the Boston band started incorporating more pop melodies and soft
Peoria-based Bluegrass/Americana band The Way Down Wanders decided not to skimp on life’s big themes on their latest, More Like Tomorrow. From dealing with the anxiety around being a new
Tangerine Records, the label Ray Charles founded in 1962, is rather cleverly releasing 90 tracks across 6 CDs in honor of his 90th birthday. This massive collection includes a previously
The first release from Heartless Bastards in over six years was almost a solo album from frontwoman Erika Wennerstrom, but she ultimately felt it tied nicely back into the band’s
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on The Ballad of Dood & Juanita, the new album from Sturgill Simpson, in his signature six-panel comic strip form. Click
More than anything, Turnstile has always been a band that gets people moving. Granted, “moving” is a relative term, and probably a bit of an understatement when it comes to
In keeping with the album’s title, Samantha Fish makes an all-out effort to ratchet up the intensity on Faster and it begins right with the front cover. Whereas her last
On her full length debut, Riddy Arman weaves together a beautiful album with little more than stark acoustic strumming, sad songs and hauntingly striking vocals. The self-titled record opens with
Having covered vocalist Jazzmeia Horn’s previous album, the GRAMMY® nominated Love and Liberation on these pages and witnessed her performances, both live and virtually, where she was typically accompanied by
