Drive-by Truckers fans are likely aware of the Deluxe reissue of the band’s breakthrough third album, Southern Rock Opera. Many have likely attended a live performance where the band is
The first collaboration between GUM (Jay Watson) and Ambrose Kenny-Smith, titled Ill Times, is an enjoyable mix of bright electro-pop and distorted funky jams. Watson had always used GUM as
Kiely Connell’s gritty and powerful sophomore effort may just be the only record coming out this year inspired by the writings of horror/fantasy author Neil Gaiman, musical theater, and John
Returning with their first album in twelve years, Beachwood Sparks deliver their cosmic canyon sound with odd quirks, and Americana influences on Across The River Of Stars. Produced by Chris
Available digitally as a 2LP gatefold and double CD, Al Di Meola’s Twentyfour is a veritable microcosm of the many solo albums he’s released since 1976’s Land of the Midnight Sun, issued during
It is not every day that Philadelphia’s Dr. Dog releases new music, as the expansive folk-rock project drops their first album since 2018’s Critical Equation. The 11-song self-titled outing is
On his new album, Simultaneity, Seattle’s electronic artist Manatee Commune, aka Grant Eadie, edges closer to the ambient genre than ever before yet remains within the envelope of house music.
Molecular Steve’s self-titled LP sounds like a mix between ELO’s Jeff Lyne and ‘90s era Meat Puppets, a perfect marriage of solid pop hooks and harmonies blended with off-kilter guitars,
Melissa Carper has the charm and delivery of Patsy Cline and the classy pastiche of a jazz singer from eras ago. She has made major leaps since her 2021 Daddys
Orquesta Akokán’s third album Caracoles is a vibrant celebration of mambo that bridges the gap between the golden era of Cuban big bands and the present day. The album, released
