[rating=7.00] Twenty-seven years ago, Van Morrison penned a tune, “I’m Not Feeling It Anymore.” Yet, now more than ever he refuses to just “phone it in.” It seems that “It’s
[rating=7.00] On initial hearings, Neil Young’s latest album with Promise of the Real, The Visitor, doesn’t appear to have the provocative unity of his previous record, Peace Trail, released in
In the newest installment of Wannabe, artist Chris Prunckle reviews Modern Pressure, the new album from Daniel Romano, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop):
[rating=8.00] Hans Chew describes his work as piano-based Americana and R&B but that doesn’t go far enough. His music encompasses familiar rock strains from the 70s and even hints of
[rating=8.00] While James Maddock’s 2015 release, Green, was full of nostalgia and some feel-good gems, the veteran singer-songwriter reveals an angrier side on his latest effort Insanity vs. Humanity. Somehow, the
In the newest installment of Wannabe, artist Chris Prunckle reviews Turn Out The Lights, the new album from Memphis singer-songwriter Julien Baker, in his signature six-panel comic strip form. Click on the image for full resolution (best
[rating=8.00] Prolific, acclaimed and consistent; Stephen Wilkinson’s Bibio project has garnered somewhat of a cult following over the years and has become a sort of quiet royalty alongside the likes of Aphex
It’s hard to believe that this was the Magpie Salute’s third trip to New York this year. After all, they just started playing as a bad at the Gramercy Theatre
[rating=8.00] With her recent series of albums, Mavis Staples has successfully completed the transition from her earlier status as a soul and gospel icon to an artist who remains as
1977 was a milestone year for the iconic and legendary British rock and roll band, Queen. The band had recorded another exciting, eclectic album that featured rock, blues, punk and
