[rating=9.00] After making the transition from rebellious rocker to tireless troubadour, John Mellencamp now claims a similar status to those who find themselves in that populist echelon inhabited by Bruce
[rating=8.00] In the ten or so years since her second LP and seminal effort The Story, Brandi Carlile has risen to the upper tier of young up and coming singer/songwriters.
[rating=9.00] Slowdive’s true strength, for those who were familiar with their work in the 90’s, was their openness that was understandably morose yet stirring – no doubt due to Rachel
[rating=7.00] After recording her first EP under the moniker of Fazerdaze in 2014, Amelia Murray hand-stitched fifty cardboard sleeves together and sent them to her fans and friends in Auckland,
[rating=9.00] You would think that at the ripe old age of 84 — an age that would find most people taking full advantage of retirement and the security of home
[rating=7.00] March to May is a Seattle-based folk/rock duo whose music is a gentle blend of acoustic instruments accompanying two beautiful voices that manage to become gorgeous together. With the
[rating=8.00] Chris Stapleton emerged to national prominence exactly two years ago with the release of his solo debut album, Traveller. To many, his success with a back to basics style
[rating=8.00] The musical subgenre of power pop arguably began with a mighty Fadd9 chord at the top of the Beatles’ “A Hard Day’s Night.” Since that letter was nailed to
[rating-7.00] The latest in the ongoing series of The Chris Robinson Brotherhood’s live concert releases, Betty’s Blends Vol. 3: Self-Rising Southern Blends, doesn’t exhibit quite all the discernible logic of
[rating=7.00] Matthew Logan Vasquez is all grown up. The Delta Spirit frontman is continuing his journey as a solo artist, following up last year’s Solicitor Returns with his newest release,
