[rating=7.00] Truth be told, Depeche Mode have never been the most effusive bunch. And yet, their resilience is admirable. Formed in 1980, they’ve survived the prevailing winds of changing trends
[rating=8.00] Intentionally or not, the audio/video packages of the Tedeschi Trucks Band’s Live From The Fox Oakland highlight the group’s relative strengths on stage and in the studio. 2016’s Let
[rating=8.00] It feels like a beautiful irony that Real Estate rehearsed for their new record In Mind in a high school in upstate New York, considering it is their most grown
[rating=6.00] If you loved Conor Oberst’s last record, 2016’s Ruminations, you’ll probably like his new one, Salutations…but not for the same reasons. The two are essentially fraternal twins, as Oberst
There was snow on the summit of Highway 17 as the mercury dropped from a fairly balmy California Spring day and threw the central coast back into Winter. Inside the
[rating-8.00] As the tongue-in-cheek title suggests, Soundgarden’s Ultramega OK was always a pretty good but not great album. The Seattle grunge pioneers made the mistake of switching from Sub Pop
[rating=6.00] Tim Kasher has long been a bastion of the emo-folk scene out of Omaha spearheaded by Conor Oberst. In his primary project, Cursive, Kasher has maintained a delicate balance
[rating=9.00] In the popular context, referring to any artist or outfit as hailing from the “heartland” implies a certain down-home proficiency — all fiddles, harmonies, homilies and back porch convergence.
[rating=9.00] It has been a long five years for fans of The Shins, eager for them to put out a new record. And though frontman James Mercer keeps himself busy
[rating=7.00] Anyone for Tennis? That’s the obvious question here, as well as the name accorded the Denver-based duo consisting of Patrick Riley and Alaina Moore. While these two music makers
