[rating=8.00] The transoceanic union of guitar wiz Bill Kirchen and pub rock veteran and keyboard player Austin de Lone makes for an auspicious occasion, especially given these artists’ individual credits
[rating=9.00] It’s certainly not easy to get a handle on Cass McCombs’ M.O. Over the last 15 years or so, McCombs has made a habit of shifting genres on an
[rating=7.00] Even as Bill Evans has fronted multiple ensembles of his own over the course of his career, the saxophonist/composer/multi-instrumentalist has also contributed mightily to the work of other notable
[rating=8.00] If Karen O. hadn’t done such a bang up job with the soundtrack for the film Where the Wild Things Are, River Whyless surely would have been worthy contenders.
[rating=8.00] The Album Leaf don’t make music of the Saturday night variety. Their’s is not the type of music that can get a crowd on its feet or keep them
[rating=7.00] JEFF the Brotherhood turned heads in 2011 when the Nashville natives were surprisingly signed to a major label at Warner Bros. After a few psychedelic and commercially unfocused releases,
[rating=7.00] The Fresh & Onlys’ frontman Tim Cohen has been pretty prolific over the past five years. Splitting his time between creating music with The Fresh & Onlys, solo songs,
[rating=7.00] Bear’s Den makes their affinity for vintage ‘80s atmospheric pop all the more obvious on this sophomore set Red Earth & Pouring Rain, an able follow-up to their 2014
In the newest installment of Wannabe, artist Chris Prunckle reviews Stay Gold, the new album from Americana rocker Butch Walker, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop): [youtube id=”iI-iAujltzY”
[rating=7.00] New York’s Hollis Brown has had a great couple of years. Last year saw the band opening up for Counting Crows on a country-wide tour of the U.S. and
