[rating=8.00] If he never sang another note, Aaron Neville’s largess would still be assured. Along with his stint at the helm of New Orleans’ first family of song, the namesake
[rating=7.00] Whether in Nickel Creek or Watkins Family Hour, Sara Watkins has always stood out as an enormous talent. She has the kind of voice you can’t believe is real.
[rating=7.00] In 2010 Eric Krasno released a solo album title that true to its title, Reminisce, recalled jazz-rock fusion at its best. In fact, the only blemish on the record
[rating=8.00] The Cuong Vu Trio Meets Pat Metheny and The Unity Sessions work equally well as companion pieces and studies on contrast. The former, which finds the Grammy-winning guitarist composer
In the newest installment of Wannabe, artist Chris Prunckle reviews the new album from Megan Palmer, What She’s Got To Give, in his signature six-panel comic strip form. Click on the image for full resolution:
[rating=8.00] The Red Hot Chili Peppers made a strange and unlikely transition some 20 years ago or so, going from an alternative band of the clear insurgent variety to one
[rating=6.00] Will Butler’s penchant for spontaneity is on full display on Friday Night, his boisterous second solo disc following on the heels of his 2015 debut, the ambiguously titled Policy.
[rating=7.00] Anyone who has ever attended a concert by Thee Oh Sees knows that it is always an energetic and exciting show. Having created the band as an outlet for
[rating=8.00] The smooth-voiced Austinite tenor Michael Fracasso is known for his heavenly hybrid of folk, rock, country, pop, blues, roots…the list goes on. Fracasso cannot be pinned down. His sound is
In the newest installment of Wannabe, artist Chris Prunckle reviews the self-titled new album from Whittier, CA rockers Plague Vendor, Bloodsweat, in his signature six-panel comic strip form. Click on the image for full resolution: [youtube id=”aEmJFOq-t2A”
