[rating=9.00] “I’m a democrat with a republican attitude… …I’m for everybody!” growls the soon-to-be octogenarian come garage, sleazy r&b, neo-soul and rock-n-roll legend Andre Williams on his 5th and latest
[rating=5.00] For their third full-length album, Fitz and the Tantrums abandon their soulful roots in favor of a pop aesthetic more in keeping with current pop radio. 2010 debut Pickin’
[rating=8.00] Neil Young has done his share of proselytizing over the course of his career, but never more so then he has recently. Last year’s Monsanto Years found him railing
[rating=7.00] If nothing else, Bruce Hornsby’s career has always seemed to be propelled by far flung ambitions. His early albums brought him an immediate fan base, garnering him a Grammy
[rating=7.00] It’s only natural for a band to take some time before personalizing a stylistic niche for themselves and The Broadcast may have their secured theirs with the aptly-titled From
[rating=8.00] The Rival Sons’ fifth full-length album, Hollow Bones, is another offering from one of the very few bands that are writing and producing genuine rock and roll music today.
[rating=5.00] Why Are You Ok, the fifth studio album from amiable South Carolina rockers, Band of Horses arrives with a bit of a fresh step. In as producer is erstwhile
[rating=7.00] Tom Petty has a bucket full of accomplishments he’s been able to tout throughout his career. He’s a superstar by any and every measure, and accordingly, he’s worked with
[rating=7.00] Now that the novelty of their name has mostly worn off for fans, we are free to focus on Diarrhea Planet’s continuous evolution as a killer rock band. Their
[rating=6.00] Beth Orton is no stranger to experimentation. Her early efforts found her collaborating with seminal electronica champions like William Orbit and the Chemical Brothers, raising the stakes for single
