Today on September 18th, the Nashville-based, genre-bending songwriter Patrick Sweany is releasing a new album Daytime Turned To Nighttime on the Austin-based Nine Mile Records. In conjunction with that acclaimed
[rating=7.00] Although his partnership with longtime collaborator Gillian Welch has spawned six albums in 20 years, Dave Rawlings’ name has made the cover of only one of them up until
[rating=9.00] Bandleader Stuart Bogie’s pseudo-rock pedigree is an impressive one. Having stints with the likes of David Byrne, TV On The Radio, and Arcade Fire under his belt, Escape Velocity plays
[rating=7.00] The California Honeydrops newest album, A River’s Invitation is a blend of American musical styles as the five piece Bay Area outfit pushes soul, blues, funk and pop around
[rating=9.00] Before covering Branko’s new album Atlas, let us cover a bit of ground. Fans of globally inspired dance music (think M.I.A.) will likely have already heard of the adventurous,
[rating=8.00] Beirut is one of those bands that have surpassed their genre and become a descriptor. Rather than relying on the basic knowledge of their particular brand of indie-world music,
[rating=4.00] It’s been six years since Slayer have released any recorded material. In that time we’ve seen the passing of founding guitarist Jeff Hanneman and the departure of founding drummer
[rating=8.00] Although The Story of Sonny Boy Slim is Gary Clark Jr.’s second full-length album for Warner Bros., he’s made over a half-dozen EP’s and LP’s prior to its release,
[rating=6.00] Ben Folds’ penchant for pop is well established, first sewn in the guise of the Ben Folds Five and later as part of an enduring solo career. Indeed, those
[rating=7.00] As they’ve managed to prove over the course of more than a dozen previous offerings, Low is clearly not the most effusive combo, especially as evidenced by their ongoing
