[rating=6.00] Notwithstanding a theory that the standard album would be more potent with a third of its sixteen tracks subtracted, Van Morrison’s new album Duets: Re-working the Catalogue isn’t quite
[rating=8.00] From the electric guitar licks that give you your first taste to the chaotic percussion that kicks in shortly after, Jon Spencer Blues Explosion’s new record will have you
[rating=8.00] The first Twin Shadow album, Forget, released in 2010, was a beautiful surprise. Pulsating and dreamy, awash with synths and drum machines, it drew instant comparisons to ‘80s New
[rating=8.00] Allison Moorer, one of the strongest voices in alt-country, returns for her eighth studio album and the first for eOne Nashville. Down to Believing is Moorer’s most provocative album
[rating=8.00] Are you still hanging on to Led Zeppelin’s 2007 reunion in London? Are you weary about the off and on again status of Australia’s Wolfmother? And then there’s the
[rating=8.00] Papa Mali’s latest album Music Is Love is proof that positive eccentricity can be a definite a virtue in the realm of music. The Louisiana native, whose given name
[rating=9.00] If you take Pink Floyd, stick them down south and add just the right amount of grit and dirt, you’ll have the killer Austin band the Bright Light Social
[rating=9.00] Funny how one can measure the shifts in civilization by the span of time that has lapsed between new albums from a favorite band. And in the eight years
[rating=4.00] Wasted on the Dream is an ode to a lost time period: a wistful love-letter to some bygone era, or perhaps simply an imaginary creation of JEFF the Brotherhood,
[rating=9.00] When Stone Jack Jones came on the scene ever so quietly in 2014 with his dark, brooding debut Ancestor, it was impactful. Those who paid attention were blown away
