[rating=7.00] Del the Funky Homosapien & co.’s postscript to their riveting, world-gone-mad opus, Deltron 3030, picks up in the post-apocalyptic year 3040, where life and all its forms have surrendered
[rating=8.00] Virtually an EP based on a running time of just over thirty minutes, recorded, like many of his albums, largely by himself with help on drums and occasional other
[rating=6.00] Rubblebucket, a fast rising seven piece from Brooklyn (by way of Vermont/Massachusetts), manage to combine the best of 80’s mainstream pop (think Madonna, Hall & Oates) with indie rock
Between its solid songs, strong production, and varied, original pop music sound, Days Are Gone is an album for anyone who truly appreciates well-written and meaningful pop music.
[rating=8.00] With B-Room, Dr. Dog has begun the process of highlighting various aspects of the densely crafted sound they’ve developed over their decade-plus together. Like their previous efforts, recorded in
[rating=7.00] Mike Doughty’s latest release, the unwieldy title of which will be abbreviated here as Circles, is much more than a re-hash of Soul Coughing tunes. This is a redemptive,
[rating=7.00] Over the course of a career, most artists and musicians go through multiple phases in their approach to the craft. The shifting nature of the business and the turbulent
[rating=7.00] In addition to the diversity of solo projects he’s enacted over the years, Phish’s Trey Anastasio can now to add to his resume composer and producer of an Original
[rating=5.00] Lifelong friends and native New Yorkers Alex Frankel and Nick Millhiser have been kicking around the indie dance-pop scene for a few years now. Long enough to earn some
The Civil Wars eponymous second record, likely exemplifying the irony of their band name better now than ever, is an intensely melancholy and yet genre-expanding contribution from a band we may never hear from again.
