The folk-indie group Chamberlin received praise for their debut album Bitter Blood and after a cover disk to benefit Vermont flood victims, the group has returned with their next offering, the Look What I’ve Become EP.
The husband and wife team of Michael Weston King and Lou Dalgleish have crafted a classic country duet album in How Do You Plead? that should have Americana experts step up and take instant notice. With a top of the line backing band which has played with everyone from Elvis Costello to Van Morrison, the duo pour sawdust and tears into every honky-tonkin’ sad song they present here.
Niki and the Dove are an electro-pop trio from Stockholm, Sweden. Their first full length, Instinct, was recently released on Seattle’s legendary Sub Pop Records. The band generated significant blog hype last year with their first single “DJ, Ease My Mind”, a piece of jack-nugget ear candy that makes a lush and ominous case for the healing power of the dance floor.
That kind of pie-eyed affinity for pure pop makes Nocturne well worth a spin.
Herring fans often wish the note-mongering master would strike out on his own more often, and this intimate-sounding album should give them plenty to chew on for a while.
A true miss from an artist that has definitely been way more consistently impressive than not.
Some of the greatest songwriters invariably have some of the greatest backing bands. Bob Dylan had the Band, Graham Parker had The Rumour, John Hiatt had the Goners (and now The Combo) and Ian Hunter has The Rant Band. The vibrancy with which they bring to life the material on When I'm President reaffirms why the former frontman for Mott The Hoople chooses to share headline status with them on his 20th solo album.
It’s hard to be critical of a young singer-songwriter full of promise and fanfare. However, the world already has plenty of artists who can deftly balance the sad sack act with other, more tuneful spins on the folk tradition. If LeBlanc wants to have staying power, he’d be wise to dial down the weepiness and give himself a more aggressive kick in the up-tempo direction.
Blackberry Light is a moody collection of abstract sound that captures a wide spectrum of life. Mars delves into the darker parts of his nature, embracing melancholic tones as much as the fun, warm vibes. The spacious songs give the music room to breathe, with unspoken words and un-played notes telling much of the story. Though the album has some misfires, Blackberry Light succeeds as a singular entity that, just like life, features various moods and experiences, some of which are more exciting and memorable than others.
When you look at the entirety of the Blur catalog, however, as you can upon the release of this exhaustive reissue celebrating the group's 21st year, you will rediscover why Blur should always be considered–pound for pound–the best London rock band of the last two decades. And for those who cannot afford the $150 for the 18-CD, 3-DVD super deluxe shebang online or at your finer local record shop, obtaining it piecemeal is just as noble, if not more so in the fortunate event you have enough spare cash to invest in new music altogether let alone upgrades of your favorite records growing up.
