On her 2020 covers album …But I’d Rather Be With You, Molly Tuttle turned to a slew of disparate genres, from punk (Rancid) to Indie Pop (The National) to classic
Ten never-before-released covers that have long been staples in the live shows of The Greyboy Allstars (GBA) make up Get a Job: Music from the Original Broadcast Series Soul Dream.
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Diaspora Problems, the new album from punk outfit Soul Glo, in his signature six-panel comic strip form. Click on the
Incomparable jazz vocalist, Catherine Russell. returns with her eighth album as a leader, Send For Me, featuring thirteen newly recorded tunes that only a musicologist of her ilk would assemble in one statement. Like
From the opening upbeat notes on the jubilant song “The Rhythm We Want”, Charlie Halloran and The Tropicales prove that they have the goods to deliver a rollicking time via
For an artist as idiosyncratic as Aldous Harding, it seems like a miracle that 2019’s Designer presented her sound as well as it did. A record like that can find
Over the last few decades, English R&B soul singer James Hunter has been finely tuning his retro style, releasing consistently strong records on Daptone and other labels as he and
The Roxy Coss quintet’s (RCQ) Disparate Parts follows up Coss’ acclaimed release Quintet (2019), and features the same musicians in a more unbridled, spirited context: Coss on tenor and soprano saxophone, Alex Wintz on guitar, Miki
Perpetual Pendulum by the three decades longstanding trio of organist Larry Goldings, guitarist Peter Bernstein, and drummer Bill Stewart marks the fourth entry in this writer’s self-dubbed 2022 as the
FREAKONS has delivered a self-titled, stirring studio album combining Midwestern Americana/folk with the English/Welsh traditional tunes, all based around soot-covered coal songs. The project combines two bands as Freakwater’s Janet
