[rating=9.00] It’s been three years since Kurt Vile’s last solo record, 2015’s b’lieve I’m goin’ down, but he has stayed busy. Touring with his band The Violators, sitting in with
[rating=7.00] Whether you know them from their stunning backup roles with artists like Jenny Lewis and My Morning Jacket, or for their handful of gorgeous studio albums, The Watson Twins
[rating=8.00] Boston’s Sarah Borges & The Broken Singles reunite with producer and guitarist Eric “Roscoe” Ambel to let loose with their patented, fiery brand of rock n’ roll. Borges has
[rating=8.00] This is John Hiatt’s first album in four years and 23rd overall, enlisting producer and stellar keyboardist Kevin McKendree who has done excellent work for Delbert McClinton and Tinsley
[rating=6.00] Tokyo Police Club’s newest album TCP continues the band’s ability to write guitar-based songs with great hooks. Over the course of their career, they’ve had the same continuous lineup.
[rating=8.00] The ongoing echoes of Gregory Isaac Isakov’s nocturnal gaze sometimes seem akin to wandering through a fog that refuses to lift, all hazy rumination with no answers in sight.
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Transmissions, the new album from Alabama indie rock outfit The Pollies, in his signature six-panel comic strip form. Click on the image for full resolution
[rating=5.00] Austin-based singer/songwriter Molly Burch has been making a name for herself recently, opening up for acts like Grizzly Bear and Courtney Barnett among many others. Burch’s sophomore release First
[rating=7.00] Making a sound instilled with a decided brashness and bluster, Reverend Peyton’s Big Damn Band’s name represents something of a misnomer. The Big Damn Band is, in fact, a
[rating=8.00] This is only Amy Helm’s second solo album and if you’ve been to her rocking, infectious live shows it may surprise you. Helm is essentially restrained throughout This Too
