[rating=8.00] The multiple virtues of Gregg Allman’s final album, Southern Blood, are rooted in the pragmatism he displayed by enlisting his own band for the project. Add to that the
[rating=8.00] Over the last three decades, New York pioneers Living Colour have made a habit of defying convention, fusing unrelated genres, and blazing new trails for their unique brand of
[rating=8.00] Now with a discography of fourteen albums, Charlie Parr is a bonafide contemporary bluesman who refuses to wallow in the downs he encounters. In fact, he uses the songs
In the newest installment of Wannabe, artist Chris Prunckle reviews High on 95, the new album from Tim Barry, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop):
[rating=8.00] Over two decades out from the release of their debut, Mogwai Young Team, Scottish post-rockers Mogwai are still consistently releasing great material. While there has been some flirtation (and
[rating=6.00] The psychedelic rock scene is efficacious in Australia. From Tame Impala in Perth to The Baudelaires in Melbourne, the psychedelic movement is as alive in Oz as it is
[rating=8.00] East Nashville’s Blank Range brings us their long-awaited debut full-length Marooned With The Treasure with Hiss Golden Messenger’s multi-everything guy Brad Cook’s hands on the knobs a’la Thirty Tigers.
Each successive release in the Grateful Dead Dave’s Picks series has generated its own level of expectation, but there’s been an increasing level of anticipation since a wealth of work
[rating=8.00] From the charged up opening licks of her new album Psychotic Melancholia, it’s clear as day that Hayley Thompson-King is here to kick ass and take names. You’d hardly know
In the newest installment of Wannabe, artist Chris Prunckle reviews Rainbow, the new album from Kesha, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop):
