[rating=6.00] Will Butler’s penchant for spontaneity is on full display on Friday Night, his boisterous second solo disc following on the heels of his 2015 debut, the ambiguously titled Policy.
[rating=7.00] Anyone who has ever attended a concert by Thee Oh Sees knows that it is always an energetic and exciting show. Having created the band as an outlet for
[rating=8.00] The smooth-voiced Austinite tenor Michael Fracasso is known for his heavenly hybrid of folk, rock, country, pop, blues, roots…the list goes on. Fracasso cannot be pinned down. His sound is
In the newest installment of Wannabe, artist Chris Prunckle reviews the self-titled new album from Whittier, CA rockers Plague Vendor, Bloodsweat, in his signature six-panel comic strip form. Click on the image for full resolution: [youtube id=”aEmJFOq-t2A”
[rating=8.00] Almost two years since their stellar and critics favorite To Be Kind was released, Swans’ The Glowing Man has the band changing up the pacing a bit; this is
[rating=7.00] Seven albums into their career, Swedish trio Peter Bjorn and John continue to fine-tune their style of infectious indie pop. Though the band’s major breakthrough – both commercially and
[rating=8.00] Mike Eldred knows how to navigate the various hues of the blues. His band’s new album Baptist Town demonstrates this versatility while also proving a point — that is,
[rating=7.00] If you look at the history and timeline of American music, it seems only natural that two of our country’s greatest contributions to the world – blues and hip-hop
[rating=9.00] Well goddamn. It’s rare that a band releases a burner for their sophomore album, the kind you listen to the entire way through and then hit repeat. Yet Portland, Maine
[rating=6.00] There’s an ongoing debate about the state of the Avett Brothers’ music that begins with 2009’s Rick Rubin-produced I and Love and You. The Avett Brothers, a North Carolina-based
