[rating=8.00] As a modern rock phenomenon, Canada’s Arkells have earned some pretty impressive kudos in the nearly ten years since their founding. Last year’s JUNO Awards for Group of the
[rating=8.00] Blues and bluegrass, with a touch of ragtime, make interesting bedfellows in this obvious allegory that emphasizes the perils of getting high and the considerable consequences of taking it
[rating=6.00] From the horn intro leading to the first verse of album opener “New Love,” it’s clear that Amos Lee is again taking his sound in a new direction. After
In the newest installment of Wannabe, artist Chris Prunckle reviews Sincerely, Me, the solo debut from Chicago roots rocker Adam Lee, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop): [youtube
[rating=8.00] The transoceanic union of guitar wiz Bill Kirchen and pub rock veteran and keyboard player Austin de Lone makes for an auspicious occasion, especially given these artists’ individual credits
[rating=9.00] It’s certainly not easy to get a handle on Cass McCombs’ M.O. Over the last 15 years or so, McCombs has made a habit of shifting genres on an
[rating=7.00] Even as Bill Evans has fronted multiple ensembles of his own over the course of his career, the saxophonist/composer/multi-instrumentalist has also contributed mightily to the work of other notable
[rating=8.00] If Karen O. hadn’t done such a bang up job with the soundtrack for the film Where the Wild Things Are, River Whyless surely would have been worthy contenders.
[rating=8.00] The Album Leaf don’t make music of the Saturday night variety. Their’s is not the type of music that can get a crowd on its feet or keep them
[rating=7.00] JEFF the Brotherhood turned heads in 2011 when the Nashville natives were surprisingly signed to a major label at Warner Bros. After a few psychedelic and commercially unfocused releases,
