[rating=6.00] Cody Dickinson’s Leeway for the Freeway is not his first solo effort outside the group he founded, The North Mississippi Allstars: while his sibling Luther was a participating member
Somewhat of a departure from his usual work, ORL mines emotional turmoil to craft an intimate, open listening experience.
[rating=9.00] Australian electronic group, The Avalanches, have succeeded in simultaneously being reclusive, mysterious, and aggravating to longtime fans. A 16-year hiatus from music raises many questions, the paramount one being
In the newest installment of Wannabe, artist Chris Prunckle reviews the new album from Oklahoma folk artist Kalyn Fay, Bible Belt, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed
[rating=8.00] Americana and Folk has seen a large revival over the last ten years with acts like The Avett Brothers, Mumford and Sons, and The Lumineers headlining festivals. There is
[rating=8.00] The subtleties of the track sequencing of Blues and Ballads reflect those of The Brad Mehldau Trio in such a way this album could conceivably function as effectively as
[rating=9.00] The inaugural release on the brand new label, Blue Front Records, is a keeper by many a bastion. Forever immortalizing the famous Bentonia, Mississippi juke joint started by Jimmy
[rating=8.00] Divorce, the second full-length album from JPNSGRLS, continues to build upon the promise of their 2014 debut, Circulation. The sophomore album by the Canadian quartet of non-Japanese men is
Pink Talking Fish’s boat cruise around the Boston Harbor was the perfect opportunity to rage on the dance floor while enjoying a gorgeous Sunday evening on the sunny seas. The
[rating=8.00] Given his prodigious output and continuing contributions to other artists’s songbooks, the title of Trent Dabbs’s latest effort seems wholly appropriate. Ten albums on, he continues to maintain his upward
