[rating=8.00] Like the innumerable brethren within the demographic to which their name alludes, Hard Working Americans are an amalgam of distinct personalities, united within a bond of support around Todd
[rating=7.00] Country music today is littered with watered down garbage that’s so crossover, it shouldn’t dare even deign to be associated with the genre. There’s a soullessness to so much
In the newest installment of Wannabe, artist Chris Prunckle reviews the new album from Colorado rocker Arliss Nancy, Greater Divides, in his signature six-panel comic strip form. Click on the image for full resolution: [youtube id=”dfzyA8WgXyU” width=”630″
[rating=9.00] Edward Sharpe and the Magnetic Zeros have always seemed most comfortable exploiting their innate eccentricity, a sprawling hippie ensemble whose members seem to come and go, leaving frontman and
[rating=9.00] Melody and muscle aren’t always mutually compatible, given the fact that many times one precludes the other. Nevertheless, there are instances one trait can actually enhance to the other,
[rating=7.00] Athens, Georgia band New Madrid is an unorthodox bunch to say the least, a group whose emphasis on chants, rhythms and squalling guitars places them more in the category
[rating=6.00] Credit to where credit is due: Stephen Stills, Kenny Wayne Shepherd and Barry Goldberg refused to allow their cross-generational super-grouping of 2013 to remain a one-shot collaboration. But it’s
[rating=7.00] On the surface, you could characterize A Giant Dog’s Merge debut, Pile (get it?), as anthemic garage rock and call it a day. But what makes this Austin band so
In the newest installment of Wannabe, artist Chris Prunckle reviews the new album from Texas singer-songwriter Daniel Markham, Disintegrator, in his signature six-panel comic strip form. Click on the image for full resolution:
[rating=8.00] Spanning a career over half a century, one of the most memorable guitar tones and vocal deliveries ever to grace Nashville, and a Lightnin’ Hopkins obsession that may rival
