[rating=8.00] Kevin Morby is somewhat of a man not made for these times. A folk-rock singer-songwriter who spends a lot of time lyrically contemplating mortality and the ephemeral nature of
In the newest installment of Wannabe, artist Chris Prunckle reviews the new album from Sturgill Simpson, A Sailor’s Guide To Earth, in his signature six-panel comic strip form. Click on the image for full resolution: Read our full
[rating=7.00] Woods have never been an easy band to put a handle on, a situation which can clearly thwart anyone looking for ready descriptions and easy to tag comparisons. Slow
[rating=8.00] Gabe Dixon has been around for a while, since 1999 in fact. After making a series of albums with his namesake Gabe Dixon Band, he gained notable prominence by
[rating=8.00] Jamil Rashad is providing a social good with his debut album Groove! in that he’s administering unadulterated funk en masse. Rashad’s project, Boulevards, plays pure simplistic funk that calls back
[rating=7.00] The front cover graphic of Santana IV is expressly designed to evoke the band’s 1969 debut album and its most apropos. With some marked but ultimately minor interruptions, the
[rating=9.00] Yeasayer is one of those bands that sound different on each album, a fact that is both refreshing and frustrating to fans. Though each album sounds distinctively like Yeasayer
[rating=9.00] Sturgill Simpson has emerged as a standout in a new breed of country music artists who harken back to a purer sound in the genre’s history. He’s got that
[rating=6.00] For some of 2016’s loveliest listens, look no further than Love Letter for Fire, the special new record from Jesca Hoop and Iron and Wine’s Sam Beam. The duo
[rating=6.00] An exodus from the sweet emotionalism of his former albums, Nate Currin takes listeners over to the flipside with the hard truth on his fourth studio album The Madman and
