[rating=8.00] After the seminal alt-country/Americana band Uncle Tupelo dissolved following the ironically-titled (?) Anodyne of 1993, co-founder Jay Farrar (READ OUR INTERVIEW WITH JAY) established Son Volt as a means
[rating=9.00] It cannot be mere coincidence of fate that the latest opus from those Tennessee titans of doom/psych/jam/rock, All Them Witches, is being released the day before Halloween. No, nothing
[rating=7.00] Trey Anastasio released lots of solo albums from 2002 through 2012, with success that varied as widely as the styles on each record. Paper Wheels is quite a departure
[rating=9.00] As the first notes of “Caution (Do Not Stop on Tracks” pan back and forth in the stereo spectrum, this four CD set cull from the latest Grateful Dead
[rating=7.00] Born Ruffians are a quirky bunch. Hailing from Toronto, they’ve made a respectable name for themselves north of the border, having received extensive airplay on the CBC and by
[rating=7.00] With so many bands in Austin, standing out is no easy feat. However, after starting as a solo venture for front woman Sabrina Ellis, it wasn’t long before the
[rating=7.00] Jason Boland and his band the Stragglers are that rare act who succeed in making fans out of both country music traditionalists and those more inclined to the modern,
[rating=8.00] The newest and second studio release, Dear Wormwood, may be the boldest endeavor yet from The Oh Hellos, a Texas progressive folk group led by brother and sister duo,
[rating=8.00] Falls’ backstory seems like the stuff of soap operas. The Australian duo — Simon Rudston-Brown and Melinda Kirwin — met while the two were attending the Conservatorium of Music
[rating=8.00] Ten years after the release of the Grammy-winning debut album that put Wolfmother on the map, the Australian rockers are revisiting that material with a Deluxe Edition re-release. The
