[rating=6.00] Listening to any of Ariel Pink’s work requires serious patience. He’s an indie rock oddball, and one of the genre’s most polarizing figures, indeed. On his latest record pom
[rating=9.00] Eight years after his last studio album, 9, Damien Rice returns with a short but powerful collection of emotional folk. Though much has changed in the meantime – everything
[rating=9.00] Remember Underworld? Though they’ve been around (in various versions) since 1980, they are arguably most famous for 1995’s “Born Slippy,” a dance/rave anthem that featured prominently in the film
[rating=7.00] The power-pop, punk icons the Buzzcocks are back with their first album in over eight years titled The Way, showing that the band still possess the talent which saw
[rating=8.00] A lot of people bag on Yoko on the bogus allegation that she broke up The Beatles. But Polly Samson is a rock ‘n’ roll wife far more deserving
[rating=7.00] Approaching Neil Young’s new album Storytone, it is well to keeping in mind the iconoclastic artist is no stranger to either strings (his eponymous solo album, Comes A Time)
[rating=9.00] Thank goodness for Eliot Bronson. One of the best releases so far this year, Bronson’s self-titled record is a rock and roll, folk, country mash-up that showcases his strong
In contrast to its black and white/sepia tone cover graphics, Trilogy is full of colors, primary, pastel and all shades in between. And that’s not surprising as the three piece
[rating=9.00] Sallie Ford is the ultimate garage rock dream girl, maintaining her effortless badassness and sexy demeanor with every note she sings. Her voice is soulful and quivering, but strong
[rating=7.00] With 2012’s Take the Kids Off Broadway, Foxygen made a bold statement with a debut album that was delightfully quirky while unabashedly derivative. The ambitious release was equal parts
