[rating=3.00] Since their 2008 breakthrough LP, The ’59 Sound, The Gaslight Anthem have tread perilously close to pastiche. But sincerity has never been a make-or-break element in their music; The
[rating=7.00] Up until now, Justin Townes Earle has played the role of lothario lush so well, writing songs about his drinking and womanizing habits so poignantly. But his latest record
[rating=9.00] The young Caroline Rose has come a long way. Her independently produced and Kickstarter-funded record America Religious caught many ears upon its release last year, and now she’s out
[rating=9.00] There should never be an argument over who was the true heart of KISS. Original guitarist Ace Frehley never ceases to remind the international fanbase of rock ‘n’ roll’s
[rating=6.00] For many of us, Imogen Heap came into our lives a decade ago like a force when we heard Frou Frou’s “Let Go” at the end of Garden State.
[rating=6.00] As the dog days of summer are upon us, it’s prime time for looking back at sundrenched afternoons, early evening bike rides and humid mornings. And there’s no better
[rating=7.00] Shovels and Rope have quickly garnered attention for their classic country sound, and their latest record Swimmin’ Time will likely continue to build their quickly growing fan base. The
[rating=7.00] J Mascis’ second solo record for Sub Pop finds him again going (mostly) acoustic but where 2011’s Several Shades of Why skewed minimal, Tied To A Star explores a
[rating=9.00] When the prolific Ty Segall spends 14 months recording an album, it makes a statement. Manipulator is Segall’s seventh LP in seven years. Considering all of the side projects
[rating=5.00] Colony House’s debut album, When I Was Younger, is definitely one with a distinct message; these young boys from Nashville, Tennessee are out to spread the word of hope
