[rating=7.00] The greatest tribute Eric Clapton and Friends offer in their tribute to the late J.J. Cale on Call Me The Breeze is to so accurately emulate the low-key sound
[rating=9.00] Hailed as the first stadium tour of its kind, Crosby, Sills, Nash and Young’s 24-city tour across the summer of 1974 is the stuff of pure classic rock mythmaking.
[rating=7.00] A Life Worth Living, the sixth studio album by Louisiana roots singer Marc Broussard, is his most personal project to date. No longer hiding behind ambiguity or his former
[rating=9.00] Sixteen years after the last proper Braid LP and No Coast begins with “Bang” and ends with a song called “This Is Not a Revolution.” Insert your poor puns
[rating=7.00] To commit so fully to psychedelic rock is a feat not many bands undertake, and even less bands do well. The Black Angels have defined themselves within this genre
[rating=8.00] It gets louder when we’re singin’ together,” Eleanor and Chris Masterson sing on the title track off their second full-length album Good Luck Charm. Coming off the acclaim of
[rating=9.00] Any album that opens with a didgeridoo and a cavalry of finger cymbals deserves at least one listen. Morrissey’s gorgeous tenth record, World Peace Is None of Your Business, demands
[rating=6.00] With his debut album, the aptly titled In the Lonely Hour, London singer Sam Smith spends just under an hour bemoaning the loneliness, sorrow and self-doubt that love leaves
[rating=7.00] John Hiatt has recorded with his band The Combo before (albeit not since bassist Nathan Gehri replaced Patrick O’Hearn), but he’s never worked so self-sufficiently as on Terms of
[rating=7.00] The first full-length record from Vancouver band Jpnsgrls plays out like the fast-paced, hormonal diary of a teenager. Circulation is an impressive debut from the young foursome, and tackles
