Quite apart from its Black Friday release date, Dawes’ Stripped Down at Grimey’s comes at just the right time for both the band and its fans. It should remind both
[rating=6.00] The duo Psapp are back making quirky electro based tunes that play with found sounds and odd/invented instrumentation all structured around standard pop filaments; things aren’t artsy for art’s
[rating=8.00] Neil Young’s Live at the Cellar Door follows in the footsteps of previous entries in his archival performance series, bearing marked resemblance to Canterbury House, the Riverboat and Massey
[rating=8.00] When the original guitarist for the Rough Seven Michael Aaron passed away recently the band looked internally for solace. Aaron had not been in the band for some time
[rating=7.00] There’s a lot going on throughout the 38-minutes that comprise Corsicana Lemonade, White Denim’s sixth LP, and third since expanding to a quartet with the addition of guitarist Austin Jenkins.
[rating=6.00] The Melismatics have put together a spunky collection of tunes that run the gamut of upbeat disco flavored bubble gum rock. The four piece from Minneapolis has been honing
[rating=7.00] Having released an engaging solo record with 2012’s Between The Time And The Tides, Lee Ranaldo and company toured heavily, gelled, record a new disk, and added a moniker.
[rating=7.00] If you follow any of the social media channels from Anacortes, WA based four-piece, The Lonely Forest, you’ll know that they’re mighty proud of where they come from. It’s
[rating=8.00] Setlists may not tell the whole story of a performance (by a long shot), especially when it comes to an improvisational band like the Grateful Dead. Yet the absolutely
[rating=6.00] Sophomore albums find themselves in an awkward situation of trying to recapture the success of the debut while still being able to stand on their own, avoiding becoming a
