[rating=8.00] With B-Room, Dr. Dog has begun the process of highlighting various aspects of the densely crafted sound they’ve developed over their decade-plus together. Like their previous efforts, recorded in
[rating=7.00] Mike Doughty’s latest release, the unwieldy title of which will be abbreviated here as Circles, is much more than a re-hash of Soul Coughing tunes. This is a redemptive,
[rating=7.00] Over the course of a career, most artists and musicians go through multiple phases in their approach to the craft. The shifting nature of the business and the turbulent
[rating=7.00] In addition to the diversity of solo projects he’s enacted over the years, Phish’s Trey Anastasio can now to add to his resume composer and producer of an Original
[rating=5.00] Lifelong friends and native New Yorkers Alex Frankel and Nick Millhiser have been kicking around the indie dance-pop scene for a few years now. Long enough to earn some
The Civil Wars eponymous second record, likely exemplifying the irony of their band name better now than ever, is an intensely melancholy and yet genre-expanding contribution from a band we may never hear from again.
[rating=8.00] On the cover of his new record, Good Graces, singer-songwriter Johnathan Rice, bearing a strong resemblance to a handsome movie star from a bygone era, sits alone, staring longingly
[rating=7.00] The Blind Boys of Alabama have been recording albums for over 60 years, and been together for over 70, so they are clearly doing a few things right. One
[rating=8.00] Kings of Leon’s sixth studio album’s title is very fitting ride as the 11 tracks run the gamut from ballsy dive bar rockers to arena worthy sing alongs. The
[rating=8.00] Gov’t Mule has never made a record that sounded more like a Warren Haynes solo album than it previous studio work, By A Thread. In contrast, the band’s debut
