Album Reviews

Charlie Mars: Blackberry Light

Blackberry Light is a moody collection of abstract sound that captures a wide spectrum of life. Mars delves into the darker parts of his nature, embracing melancholic tones as much as the fun, warm vibes. The spacious songs give the music room to breathe, with unspoken words and un-played notes telling much of the story. Though the album has some misfires, Blackberry Light succeeds as a singular entity that, just like life, features various moods and experiences, some of which are more exciting and memorable than others.

Read More

Blur: Blur 21 Box Set

When you look at the entirety of the Blur catalog, however, as you can upon the release of this exhaustive reissue celebrating the group's 21st year, you will rediscover why Blur should always be considered–pound for pound–the best London rock band of the last two decades. And for those who cannot afford the $150 for the 18-CD, 3-DVD super deluxe shebang online or at your finer local record shop, obtaining it piecemeal is just as noble, if not more so in the fortunate event you have enough spare cash to invest in new music altogether let alone upgrades of your favorite records growing up.

Read More

Bob Mould: Silver Age

If Bob Mould did nothing more than provide melodic songs and driving guitar for the innovative and influential 1980s band Husker Du his reputation would be secure. Following the band’s demise in the late ‘80s Mould didn’t rest on his laurels, recording a half-dozen albums with his 1990’s group Sugar and a dozen solo projects. His latest, Silver Age, shows he hasn’t lost a step.

Read More

Divine Fits: A Thing Called Divine Fits

It seems as though “supergroups” have become the latest trend in rock music. Each year, scores of musicians are setting aside their traditional outputs and collaborating on releases with contemporaries or like-minded thinkers. The autumn of 2012 brings forth Divine Fits. In the accompanying press notes for their debut album, A Thing Called Divine Fits, the wise Gerard Cosley warns listeners to not judge the band’s music by its’ members prior output.

Read More

Orbital: Wonky

Orbital has returned with Wonky,  their first album since 2004 (Blue Album)– that is imminently listenable, and very much Orbital. However, it also conveys interesting hints of past musical goodness.

Read More

Liars: WIXIW

When Liars emerged in 2001 with their scorching debut LP They Threw Us In A Trench And Stuck A Monument On Top, it was a caustic wad of spit in the mascaraed eyeball of everything trendy, vapid and annoying about hipster New York City in the turn of the century

Read More

Ariel Pink

Ariel Pink’s Haunted Graffiti values style over substance, but that isn’t a bad thing. The band’s new project, Mature Themes, contains many of elements found on its successful 2010 release Before Today—creative collages of 1970’s pop themes suffused with vocal and keyboard-driven atmosphere.

Read More

The Heavy: The Glorious Dead

The cinematic, vintage appeal of The Glorious Dead is what makes The Heavy's latest offering worth digging into, but it's also a record with too many missed opportunities to make it a great offering.

Read More

Yeasayer: Fragrant World

Yeasayer’s music typically demands patience and repeated listens, elements that lack a bit from this release as the songs don’t reveal many hidden layers.  With Fragrant World, they miss the mark a little bit, but it’s still a noble enough attempt to keep people interested in following their career arc. It will be fun to watch which direction they embark upon next and decipher what chapter of their evolvement this release falls under.

Read More

Selah Sue: Selah Sue

Keep an eye on the horizon for this rising talent who is increasingly gaining momentum, she might just be “pretty much what you’re lookin’ for.”

Read More

View posts by year

Recent Posts

New to Glide

Keep up-to-date with Glide

Twitter