Album Reviews

Norah Jones: Little Broken Hearts

Little Broken Hearts suggests that maybe Jones isn’t looking to head back, but instead shake things up even further. If she is able to find a musical partner like Danger Mouse that she connects so well to, we’re due for yet another fantastic record from an artist many of us wrote off years ago.

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South Memphis String Band: Old Times There

With Luther Dickinson’s enlistment in the Black Crowes back in 2007 and his subsequent return to The North Mississippi All Stars, he’s inspired himself to nurture his propensity for collaborative projects. With The South Memphis String Band, a collaboration with Jimbo Mathus and Alvin Youngblood Hart, Dickinson  lends his versatile blues rock guitar playing to yet another roots project.

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Father John Misty: Fear Fun

Father John Misty is Josh Tillman's (ex-Fleet Foxes) latest identity and this time around he strives for honesty over escapism. After leaving Fleet Foxes, Tillman set out to capture the truth inside of himself that he felt must be hidden underneath the layers of 'alter-egos' he has been collecting over the years. Fear Fun, Father John Misty’s full length debut on Sub Pop reveals something worth singing about and the message is something one discovers at their own pace.

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Brendan Benson: What Kind Of World

Released on the same day as his offspring's second birthday, is indicative of the musician's timeless, quality-heavy chops. Rock is better for having Brendan Benson in its world.

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Lower Dens: Nootropics

Lower Dens hails from Baltimore, an important fact to consider when listening to their music.  It’s a trippy, synth-fueled and mystifying sound that alternates between pulsing, metronomic beats and more languidly buzzing slow burners.

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Brad: United We Stand

While Pearl Jam has always had a strong pop sensibility to its arena-ready hard rock sound, Brad, the side project co-founded by Pearl Jam rhythm guitarist Stone Gossard, delivers full-on pop music, albeit with an intelligent, psychedelic edg

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Rufus Wainwright: Out Of The Game

Call him over the top, call him excessive or even arrogant, but one cannot fault Rufus Wainwright for not trying hard enough and delivering with musical aplomb. The difference with Out Of The Game, however, is that he’s provided a cohesive work that exemplifies his talents, for the most part excises his overindulgence, highlights his sharp wit and exceptional musical skill.

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Torche: Harmonicraft

Harmonicraft isn’t paint by numbers hard rock, but it also isn’t breathing life into arena rock at the moment.

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The Lumineers: The Lumineers

he Lumineers is an incredibly impressive opening statement from a band with a lot to say, but who is determined to say it with a level of emotional integrity that is bound to resonate across genre.

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Chris Burns: Out of the Well

In the five years since his debut EP, CB Radio, Chris Burns has transformed from a loop pedal-wielding solo musician to front-man The inherent risk in such a change is to go from a raw, intimate sound to overproduced pop alchemy. In the case of Burns’ full-length debut, Out of the Well, those pitfalls are largely avoided.

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